[
  {
    "input": {
      "text": "Olive Penderghast, a 17-year-old girl living in Ojai, California lies to her best friend Rhiannon Abernathy about going on a date in order to get out of camping with Rhiannon's hippie parents. Instead, she hangs around the house all weekend listening to Natasha Bedingfield's \"Pocketful of Sunshine\", which is played by a greeting card she was sent. The following Monday, pressed by Rhiannon, Olive lies about losing her virginity to a college guy. Marianne Bryant, a prissy and strictly religious Christian at their school, overhears her telling the lie and soon it spreads like wildfire. The school's conservative church group run by Marianne decides Olive will be their next project. Olive confides the truth to her friend Brandon, and he explains how others bully him because of his homosexuality. He later asks Olive to pretend to sleep with him so that he will be accepted by everyone as a 'straight stud'.\nBrandon convinces Olive to help him and they pretend to have sex at a party. After having a fight with Rhiannon over Olive's new identity as a \"dirty skank\", Olive decides to counteract the harassment by embracing her new image as the school tramp. She begins to wear more provocative clothing and stitches a red \"A\" to everything she wears. Boys who usually have had no luck with girls in the past beg Olive to say they have had sex with her in order to increase their own popularity, in exchange for gift cards to various stores, in turn increasing her reputation. Things get worse when Micah, Marianne's 22-year-old boyfriend, contracts chlamydia from sleeping with Mrs. Griffith, the school guidance counsellor, and blames it all on Olive. Olive agrees to lie to cover up the affair so that the marriage of her favorite teacher, Mr. Griffith, would be spared.\nMarianne's religious clique, which now includes Rhiannon, begins harassing Olive in order to get her to leave school. After an ill-fated date with Anson, a boy who wants to pay her to actually sleep with him and not just pretend she did, Olive reconnects with Todd, her old crush, who is also the school's mascot. Todd then tells her that he does not believe the rumors because he remembers when she lied for him when he was not ready for his first kiss years ago. Olive then begins to ask everyone she lied for to help her out by telling the truth, but Brandon and Micah have abruptly left town and everyone else is enjoying their newfound popularity and do not want the truth to get out. Mrs. Griffith also refuses to tell the truth and when Olive threatens to expose her, Mrs. Griffith rebuffs her, saying no one would believe her.\nOlive, out of spite, then immediately tells Mr. Griffith, who believes her and separates from Mrs. Griffith. After a friendly talk with her eccentric, open-minded mother Rosemary, Olive comes up with a plan to get everything finally out in the open. She then does a song and dance number at a school pep rally to get people's attention to watch her via web cam, where she confesses what she has done (the web cam is the framing device of the film). The various boys whose reputations Olive helped improve are also shown watching. Later, Olive texts Rhiannon, apologizing for lying to her. When she is finishing up her web cast, Todd comes by riding a lawnmower and tells her to come outside. She signs off by saying she may lose her virginity to Todd, and proudly declares it's nobody's business (much to Marianne's disgrace). She goes outside to meet him, they kiss and the two are shown riding off on the lawnmower.\nQuestion: Who is Todd besides Olive's old crush?"
    },
    "references": [
      {
        "output": {
          "text": "The school Mascot"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "the schools mascot"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1413"
  },
  {
    "input": {
      "text": "Indefer Jones is the aged squire, between seventy and eighty years of age, of a large manor, Llanfeare, in Carmarthen, Wales. His niece, Isabel Brodrick, has lived with him for years after the remarriage of her father, and endeared herself to everyone. However, according to his strong traditional beliefs, the estate should be bequeathed to a male heir.\nHis sole male blood relative is his nephew Henry Jones, a London clerk. Henry has, in the past, incurred debts that the squire had paid off, been \"sent away from Oxford\", and generally made a poor impression on his occasional visits to Llanfeare. Nevertheless, Henry is told of his uncle's intention to make him the heir to the estate and is invited to pay a visit. Isabel rejects her uncle's suggestion that she solve his dilemma by marrying Henry, as she cannot stand her cousin. Indefer Jones finds his nephew to be just as detestable as ever. As a result, he overcomes his prejudice and changes his will one final time, in Isabel's favour. Unfortunately, he dies before he can tell anyone.\nFinding the document hidden in a book of sermons by accident, Henry vacillates between keeping silent and revealing its location. He is neither good enough to give up the estate nor evil enough to burn the document, fearing disgrace, a long jail sentence and, not least, eternal damnation. Instead, he comforts himself by reasoning that doing nothing cannot be a crime.\nIndefer Jones had had his last will witnessed by two of his tenants, but since the will cannot be found despite a thorough search of the house, Henry inherits the estate. However, already extant suspicions are only strengthened by his guilty manner. He endures abuse from everyone; his own servants either quit or treat him with disrespect. He takes to spending hours in the library, where the will is hidden.\nThe local newspaper begins to publish accounts of the affair that are insulting and seemingly libelous to Henry. It accuses him of destroying the will and usurping the estate from Isabel, whom everybody knows and respects. The old squire's lawyer, Mr Apjohn, himself suspecting that Henry knows more than he lets on, approaches the new squire about the articles, pressuring the unwilling young man into taking legal action against the editor. Henry finds that this only makes things worse. The prospect of being cross examined in the witness box fills him with dread. He realises the truth would be dragged out of him in court.\nMr Apjohn, by clever questioning, gets a good idea about where the will is. Henry knows that time is running out, but once again procrastinates. Mr Apjohn and Mr Brodrick, Isabel's father, visit Henry at home and find the document, despite Henry's ineffectual efforts to stop them. Because he did not destroy the will, Henry is permitted to return to his job in London with his reputation intact and \u00c2\u01414000, the amount Isabel was bequeathed in the other will.\nQuestion: How is Isabel Brodrick related to Indefer Jones?"
    },
    "references": [
      {
        "output": {
          "text": "She is his neice."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "His niece."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1332"
  },
  {
    "input": {
      "text": "The subject of Cratylus is the correctness of names (\u03c0\u03b5\u03c1\u1f76 \u1f40\u03bd\u03bf\u03bc\u03ac\u03c4\u03c9\u03bd \u1f40\u03c1\u03b8\u03cc\u03c4\u03b7\u03c4\u03bf\u03c2), in other words, it is a critique on the subject of naming (Baxter).\nWhen discussing a \u1f44\u03bd\u03bf\u03bc\u03b1  (onoma ) and how it would relate to its subject, Socrates compares the original creation of a word to the work of an artist. An artist uses color to express the essence of his subject in a painting. In much the same way, the creator of words uses letters containing certain sounds to express the essence of a word's subject. There is a letter that is best for soft things, one for liquid things, and so on. He comments;\nthe best possible way to speak consists in using names all (or most) of which are like the things they name (that is, are appropriate to them), while the worst is to use the opposite kind of names.\nOne countering position, held by Hermogenes, is that names have come about due to custom and convention. They do not express the essence of their subject, so they can be swapped with something unrelated by the individuals or communities who use them.\nThe line between the two perspectives is often blurred. During more than half of the dialogue, Socrates makes guesses at Hermogenes' request as to where names and words have come from. These include the names of the Olympian gods, personified deities, and many words that describe abstract concepts. He examines whether, for example, giving names of \"streams\" to Cronus and Rhea (\u03a1\u03bf\u03ae \u2013 flow or space) are purely accidental.\nDon't you think he who gave to the ancestors of the other gods the names \u201cRhea\u201d and \u201cCronus\u201d had the same thought as Heracleitus? Do you think he gave both of them the names of streams (\u1fe5\u03b5\u03c5\u03bc\u03ac\u03c4\u03c9\u03bd \u1f40\u03bd\u03cc\u03bc\u03b1\u03c4\u03b1) merely by chance?\nThe Greek term \"\u1fe5\u03b5\u1fe6\u03bc\u03b1\" may refer to the flow of any medium and is not restricted to the flow of water or liquids. Many of the words which Socrates uses as examples may have come from an idea originally linked to the name, but have changed over time. Those of which he cannot find a link, he often assumes have come from foreign origins or have changed so much as to lose all resemblance to the original word. He states, \"names have been so twisted in all manner of ways, that I should not be surprised if the old language when compared with that now in use would appear to us to be a barbarous tongue.\"\nThe final theory of relations between name and object named is posited by Cratylus, a disciple of Heraclitus, who believes that names arrive from divine origins, making them necessarily correct. Socrates rebukes this theory by reminding Cratylus of the imperfection of certain names in capturing the objects they seek to signify. From this point, Socrates ultimately rejects the study of language, believing it to be philosophically inferior to a study of things themselves.\nQuestion: What does the old language sound compared with the new language?"
    },
    "references": [
      {
        "output": {
          "text": "like a barbaric tongue."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "barbarous tongue"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1123"
  },
  {
    "input": {
      "text": "The novel begins in Manchester, where we are introduced to the Bartons and the Wilsons, two working-class families. John Barton is a questioner of the distribution of wealth and the relations between rich and poor. Soon his wife dies\u00e2\u0080\u0094he blames it on her grief over the disappearance of her sister Esther. Having already lost his son Tom at a young age, Barton is left to raise his daughter, Mary, alone and now falls into depression and begins to involve himself in the Chartist, trade-union movement.\nChapter 1 takes place in countryside where Moss Side is now.\nMary takes up work at a dressmaker's (her father having objected to her working in a factory) and becomes subject to the affections of hard-working Jem Wilson and Harry Carson, son of a wealthy mill owner. She fondly hopes, by marrying Carson, to secure a comfortable life for herself and her father, but immediately after refusing Jem's offer of marriage she realises that she truly loves him. She therefore decides to evade Carson, planning to show her feelings to Jem in the course of time. Jem believes her decision to be final, though this does not change his feelings for her.\nMeanwhile, Esther, a \"street-walker,\" returns to warn John Barton that he must save Mary from becoming like her. He simply pushes her away, however, and she's sent to jail for a month on the charge of vagrancy. Upon her release she talks to Jem with the same purpose. He promises that he will protect Mary and confronts Carson, eventually entering into a fight with him, which is witnessed by a policeman passing by.\nNot long afterwards, Carson is shot dead, and Jem is arrested for the crime, his gun having been found at the scene. Esther decides to investigate the matter further and discovers that the wadding for the gun was a piece of paper on which is written Mary's name.\nShe visits her niece to warn her to save the one she loves, and after she leaves Mary realises that the murderer is not Jem but her father. She is now faced with having to save her lover without giving away her father. With the help of Job Legh (the intelligent grandfather of her blind friend Margaret), Mary travels to Liverpool to find the only person who could provide an alibi for Jem \u00e2\u0080\u0093 Will Wilson, Jem's cousin and a sailor, who was with him on the night of the murder. Unfortunately, Will's ship is already departing, so that, after Mary chases after the ship in a small boat, the only thing Will can do is promise to return in the pilot ship and testify the next day.\nDuring the trial, Jem learns of Mary's great love for him. Will arrives in court to testify, and Jem is found \"not guilty\". Mary has fallen ill during the trial and is nursed by Mr Sturgis, an old sailor, and his wife. When she finally returns to Manchester she has to face her father, who is crushed by his remorse. He summons John Carson, Harry's father, to confess to him that he is the murderer. Carson is still set on justice, but after turning to the Bible he forgives Barton, who dies soon afterwards in Carson's arms. Not long after this Esther comes back to Mary's home, where she, too, soon dies.\nJem decides to leave England, where, his reputation damaged, it would be difficult for him to find a new job. The novel ends with the wedded Mary and Jem, their little child, and Mrs Wilson living happily in Canada. News comes that Margaret has regained her sight and that she and Will, soon to be married, will visit.\nQuestion: Who actually killed Harry Carson?"
    },
    "references": [
      {
        "output": {
          "text": "John Barton"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "John Barton"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1514"
  },
  {
    "input": {
      "text": "Tarzan returns to Opar, the source of the gold where a lost colony of fabled Atlantis is located, in order to make good on some financial reverses he has recently suffered. While Atlantis itself sank beneath the waves thousands of years ago, the workers of Opar continued to mine all of the gold, which means there is a rather huge stockpile but which is now lost to the memory of the Oparians and only Tarzan knows its secret location.\nA greedy, outlawed Belgian army officer, Albert Werper, in the employ of a criminal Arab, secretly follows Tarzan to Opar. There, Tarzan loses his memory after being struck on the head by a falling rock in the treasure room during an earthquake. On encountering La, the high priestess who is the servant of the Flaming God of Opar, and who is also very beautiful, Tarzan once again rejects her love which enrages her and she tries to have him killed; she had fallen in love with the apeman during their first encounter and La and her high priests are not going to allow Tarzan to escape their sacrificial knives this time.\nIn the meanwhile, Jane has been kidnapped by the Arab and wonders what is keeping her husband from once again coming to her rescue. A now amnesiac Tarzan and the Werper escape from Opar, bearing away the sacrificial knife of Opar which La and some retainers set out to recover. There is intrigue and counter intrigue the rest of the way.\nQuestion: Who is La?"
    },
    "references": [
      {
        "output": {
          "text": "La is the high priestess that serves the Flaming God of Opar."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "A high priestess."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1340"
  },
  {
    "input": {
      "text": "Act 1 is set in a chocolate house where Mirabell and Fainall have just finished playing cards. A footman comes and tells Mirabell that Waitwell (Mirabell's male servant) and Foible (Lady Wishfort's female servant) were married that morning. Mirabell tells Fainall about his love of Millamant and is encouraged to marry her. Witwoud and Petulant appear and Mirabell is informed that should Lady Wishfort marry, he will lose \u00a36000 of Millamant's inheritance.He will only get this money if he can make Lady Wishfort consent to his and Millamant's marriage.\nAct 2 is set in St. James\u2019 Park. Mrs. Fainall and Mrs. Marwood are discussing their hatred of men. Fainall appears and accuses Mrs. Marwood (with whom he is having an affair) of loving Mirabell (which she does). Meanwhile, Mrs. Fainall (Mirabell's former lover) tells Mirabell that she hates her husband, and they begin to plot to deceive Lady Wishfort into giving her consent to the marriage. Millamant appears in the park and, angry about the previous night (when Mirabell was confronted by Lady Wishfort), she tells Mirabell of her displeasure in his plan, which she only has a vague idea about. After she leaves, the newly wed servants appear and Mirabell reminds them of their roles in the plan.\nActs 3, 4 and 5 are all set in the home of Lady Wishfort. We are introduced to Lady Wishfort who is encouraged by Foible to marry the supposed Sir Rowland \u2013 Mirabell's supposed uncle \u2013 so that Mirabell will lose his inheritance. Sir Rowland is, however, Waitwell in disguise, and the plan is to entangle Lady Wishfort in a marriage which cannot go ahead, because it would be bigamy, not to mention a social disgrace (Waitwell is only a serving man, Lady Wishfort an aristocrat). Mirabell will offer to help her out of the embarrassing situation if she consents to his marriage. Later, Mrs. Fainall discusses this plan with Foible, but this is overheard by Mrs. Marwood. She later tells the plan to Fainall, who decides that he will take his wife's money and go away with Mrs. Marwood.\nMirabell and Millamant, equally strong-willed, discuss in detail the conditions under which they would accept each other in marriage (otherwise known as the \"proviso scene\"), showing the depth of their feeling for each other. Mirabell finally proposes to Millamant and, with Mrs. Fainall's encouragement (almost consent, as Millamant knows of their previous relations), Millamant accepts. Mirabell leaves as Lady Wishfort arrives, and she lets it be known that she wants Millamant to marry her nephew, Sir Wilfull Witwoud, who has just arrived from the countryside. Lady Wishfort later gets a letter telling her about the Sir Rowland plot. Sir Rowland takes the letter and accuses Mirabell of trying to sabotage their wedding. Lady Wishfort agrees to let Sir Rowland bring a marriage contract that night.\nBy Act 5, Lady Wishfort has found out the plot, and Fainall has had Waitwell arrested. Mrs. Fainall tells Foible that her previous affair with Mirabell is now public knowledge. Lady Wishfort appears with Mrs. Marwood, whom she thanks for unveiling the plot. Fainall then appears and uses the information of Mrs. Fainall's previous affair with Mirabell and Millamant's contract to marry him to blackmail Lady Wishfort, telling that she should never marry and that she is to transfer her fortune to him. Lady Wishfort offers Mirabell her consent to the marriage if he can save her fortune and honour. Mirabell calls on Waitwell who brings a contract from the time before the marriage of the Fainalls in which Mrs. Fainall gives all her property to Mirabell. This neutralises the blackmail attempts, after which Mirabell restores Mrs. Fainall's property to her possession and then is free to marry Millamant with the full \u00a36000 inheritance.\nQuestion: What is bigamy?"
    },
    "references": [
      {
        "output": {
          "text": "Having more than one wife"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "marriage to two people"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1281"
  },
  {
    "input": {
      "text": "Dr Watson is called to tend Holmes, who is apparently dying of a rare disease contracted while he was on a case. Watson was shocked, having heard about his friend\u2019s illness. Mrs. Hudson says that Holmes has neither eaten nor drunk anything in three days.\nHolmes instructs Watson not to come near him, because the illness is highly infectious. Although Watson wishes to examine Holmes himself or send for a specialist, Holmes demands that Watson wait several hours before seeking help. So, Watson is forced to wait, in extreme worry as Holmes mutters nonsense.\nWhile Watson waits, he examines several objects in Holmes\u2019s room. Holmes grows angry when Watson touches items explaining that he does not like his things touched.\nAt six o\u2019clock, Holmes tells Watson to turn the gaslight on, but only half-full. He then instructs Watson to bring Mr Culverton Smith of 13 Lower Burke Street to see Holmes, but to make sure that Watson returns to Baker Street before Smith arrives.\nWatson goes to Smith's address. Although Smith refuses to see anyone, Watson forces his way in. Once Watson explains his errand on behalf of Sherlock Holmes, Smith's attitude changes drastically. Smith agrees to come to Baker Street within a half hour. Watson excuses himself, saying that he has another appointment, and returns to Baker Street before Smith's arrival.\nBelieving that they are alone, Smith is frank with Holmes. It soon emerges, to the hiding Watson\u2019s horror, that Holmes has been sickened by the same illness that killed Smith\u2019s nephew Victor. Smith then sees the little ivory box, which he had sent to Holmes by post, and which contains a sharp spring infected with the illness. Smith pockets it, removing the evidence of his crime. He then resolves to stay there and watch Holmes die.\nHolmes asks Smith to turn the gas up full, which Smith does. Smith then asks Holmes if he would like anything else, to which Holmes replies \u2014 no longer in the voice of a man near death \u2014 \"a match and a cigarette.\" Inspector Morton then enters \u2014 the full gaslight was the signal to move in. Holmes tells Morton to arrest Culverton Smith for the murder of his nephew, and perhaps also for the attempted murder of Sherlock Holmes. Smith, still as arrogant as ever, points out that his word is as good as Holmes\u2019s in court, but Holmes then calls for Watson to emerge from behind the screen, to present himself as another witness to the conversation.\nHolmes was never really dying. His feigned illness was a ruse to induce Smith to confess to his nephew\u2019s murder. Holmes was not infected by the little box; he has enough enemies to know that he must always examine his mail carefully before he opens it. Starving himself for three days,and the claim of the \"disease's\" infectious nature was to keep Watson from examining him and discovering the ruse.\nQuestion: Who is Morton?"
    },
    "references": [
      {
        "output": {
          "text": "He is an inspector"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "He is a police inspector called in to arrest Smith"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1234"
  },
  {
    "input": {
      "text": "Stanley Jobson (Hugh Jackman) is a hacker. Having served time for infecting the FBI's Carnivore program with a computer virus, he is now on parole but forbidden from touching computers. His alcoholic ex-wife Melissa (Drea de Matteo), who married a rich porn producer and is currently a part-time porn actress has sole custody over their daughter Holly, and a restraining order preventing him from visiting the latter. One day, he is solicited by Ginger Knowles (Halle Berry), speaking for her boss Gabriel Shear (John Travolta), for his hacking skills. He goes to meet Gabriel in Los Angeles, where he is put on the spot to crack a secure government server within a minute while simultaneously held at gunpoint and receiving fellatio. Successful, Gabriel offers Stanley $10\u00c2\u00a0million to program multi-headed worm, a \"hydra\", to siphon $9.5\u00c2\u00a0billion from several government slush funds.\nStanley begins work, learning that Gabriel leads Black Cell, a secret group created by J. Edgar Hoover to launch retaliatory attacks against terrorists that threaten the United States. He also privately discovers Ginger is a DEA agent working undercover, and further is surprised to discover a corpse that looks like Gabriel. He goes to see Holly home from school but finds he is being followed by FBI agent J.T. Roberts (Don Cheadle), who had previously caught Stanley. Roberts, though monitoring Stanley closely, is more interested in Gabriel as he does not appear on any government database, and after learning that another hacker, Axl Torvalds (Rudolf Martin), had been killed by Gabriel's men, warns Stanley to be cautious. Stanley opts to secretly code a back door in his hydra that reverses the money transfer after a short period. Meanwhile, Senator Reisman (Sam Shepard), who oversees Black Cell, learns the FBI has started tracking Gabriel and orders him to stand down. Gabriel refuses, and narrowly avoids an assassination attempt ordered by Reisman. Gabriel personally kills Reisman in revenge and continues his plan.\nStanley delivers the hydra to Gabriel and leaves to see Holly, only to find that Gabriel has killed Melissa and her husband and kidnapped Holly, framing Stanley. Stanley has no choice but to participate with the bank heist to get Holly back. Gabriel and his men storm a Worldbanc branch, and secure its employees and customers as hostages and fitting each with ball-bearing-based explosives similar to Claymore mines. When police and FBI surround the branch, Gabriel takes Stanley to the coffee shop across the street to meet with Roberts, but Gabriel spends the time to discuss the film Dog Day Afternoon and the nature of misdirection. Once back in the bank, Gabriel has one of his men escort a hostage to demonstrate the situation. A sniper kills the man, and other agents pull the hostage away from the bank, causing the bomb to detonate, ravaging the buildings and vehicles on the street and killing several people, a scene shown in medias res at the start of the film.\nGabriel instructs Stanley to launch the hydra, and turns Holly over to him once completed. However, Stanley's back door triggers before they can leave the bank, and Stanley is recaptured while Holly is rescued. Gabriel threatens to kill Ginger, who he knows is a DEA agent, unless Stanley re-siphons the money back to a Monte Carlo bank. Despite doing so, Gabriel shoots Ginger. Gabriel and his men load the hostages on a bus and demand a plane wait for them at the local airport, but while en route, the bus is lifted off by a S-64 Aircrane and deposited on a roof of a local skyscraper. Gabriel deactivates the bombs and departs with his surviving men on a waiting helicopter, which Stanley shoots down using a rocket-propelled grenade from the bus.\nRoberts takes Stanley to verify the corpse they found, believing Gabriel was a Mossad agent while there was no record of a DEA agent named Ginger. Stanley recognizes the corpse as the one he discovered earlier and personally realizes that the whole scenario was misdirection. Gabriel had escaped a different route, and Ginger had been wearing a bulletproof vest and was working with Gabriel. Roberts arranges for Stanley to have full custody of Holly, and the two tour the US together. In Monte Carlo Gabriel and Ginger withdraw the money, and later watch as a yacht at sea explodes. Over the film's credits, a news report describes the destruction of the yacht, carrying a known terrorist, as the third such incident in as many weeks.\nQuestion: Who shoots Ginger?"
    },
    "references": [
      {
        "output": {
          "text": "Gabriel"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Gabriel"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1237"
  },
  {
    "input": {
      "text": "On October 30, 1977, Jerry Goldsmith, Bill Hudley, Mary Knowles, and Denise Willis are on the road in hopes of writing a book on offbeat roadside attractions. When the four meet Captain Spaulding, the owner of a gas station and \"The Museum of Monsters & Madmen\", they learn the local legend of Dr. Satan. As they take off in search of the tree from which Dr. Satan was hanged, they pick up a young hitchhiker named Baby, who claims to live only a few miles away. Shortly after, the vehicle's tire bursts in what is later seen to be a trap and Baby takes Bill to her family's house. Moments later, Baby's half-brother, Rufus, picks up the stranded passengers and takes them to the family home.\nThere they meet Baby's family: Mother Firefly, Otis Driftwood, her adopted brother, Grampa Hugo and Baby's deformed giant half-brother, Tiny. While being treated to dinner, Mother Firefly explains that her ex-husband, Earl, had previously tried to burn Tiny alive, along with the Firefly house. After dinner, the family puts on a Halloween show for their guests and Baby offends Mary by flirting with Bill. After Mary threatens Baby, Rufus tells them their car is repaired. As they leave, Otis and Tiny, disguised as scarecrows, attack the couples in the drive way and take them prisoner. The next day, Otis kills Bill and mutilates his body for art. Mary is tied up in a barn, Denise is tied to a bed while dressed up for Halloween, and Jerry is partially scalped for failing to guess Baby's favorite movie star.\nWhen Denise doesn't come home, her father Don calls the police to report her missing. Two deputies, George Wydell and Steve Naish, find the couples' abandoned car in a field with a tortured victim in the trunk. Don, who was once a cop, is called to the scene to help the deputies search. They arrive at the Firefly house and Wydell questions Mother Firefly about the missing teens. Mother Firefly shoots Wydell in the neck and kills him, and Don and Steve are then killed by Otis upon finding other bodies in the barn. Later that night, the three remaining teenagers are dressed as rabbits, and taken out to an abandoned well. Mary attempts to run away, but is stabbed to death by Baby moments later.\nMeanwhile, Jerry and Denise are lowered into the well, where a group of undead men pull Jerry away, leaving Denise to find her way through an underground lair. As she wanders through the tunnels, she encounters Dr. Satan and a number of mental patients; Jerry is on Dr. Satan's operating table being vivisected. Dr. Satan tells his mutated assistant, who turns out to be Earl, Mother Firefly's ex-husband, to capture Denise, but Denise outwits him and escapes the chambers by crawling to the surface. She makes her way to the main road, where she encounters Captain Spaulding, who gives her a ride in his car. She passes out from exhaustion in the front seat, and Otis suddenly appears in the backseat with a knife. Denise later wakes up to find herself strapped to Dr. Satan's operating table, with Dr. Satan standing there.\nQuestion: Who is Earl?"
    },
    "references": [
      {
        "output": {
          "text": "Mother Firefly's ex-husband."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Dr. Satan's assistant and Mother Firefly's ex-husband."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1173"
  },
  {
    "input": {
      "text": "George Monroe, an architectural model fabricator, is fired when he refuses to use computer technology. At his boss's refusal to let George keep a few models, he destroys all but one of the models with a spindle from an architectural drawing,. As he exits the building with the remaining model, he collapses and is rushed to the hospital, where it is revealed he has advanced stage cancer and any treatment would be futile.\nGeorge decides to demolish the home left by his father and replace it with a house in keeping with the neighborhood. He enlists his son, Sam, who is alienated from his stepfather Peter and his mother Robin. Sam must spend the summer with George, who has not revealed his terminal condition, and help him with the house, but Sam makes it a point not to help him. When George refuses to give Sam money unless he works for it, Sam toys with becoming a male prostitute, but is nearly caught and flees from his first encounter. This leads him to steal George's Vicodin.\nGeorge slowly reconnects with Sam. Robin decides to assist as well, and she finds herself rediscovering George. Also joining in the construction are Alyssa, Sam's classmate who lives next door with her mother Colleen; local policeman Kurt Walker, George's childhood friend; Sam's young half-brothers Adam and Ryan; various neighbors; and eventually Peter, even after separating from Robin when she tells him that her feelings for George have re-awakened. George tells Robin of his disease, sending her into shock. George tells Sam, who is betrayed and accuses George of being selfish and takes refuge at Alyssa's house. George collapses and is found by Robin the following morning. Complications arise when neighbor David Dokos tries to halt construction because the building's height exceeds the allowable limit by six inches. His plans to halt the project are stopped by Sam, who recognizes him from his prostitution attempt and blackmails him.\nSam puts Christmas lights all over the unfinished house and shows George the gleaming house from his hospital window. The next morning, Sam returns to finish the house and Robin sits beside George until his death. Robin goes to the house and tells Sam about his father's death. Sam inherits the house he finished building. Sam gives the property to a woman who has been living in a trailer park. As a girl, she was injured in a car crash caused by his grandfather.\nQuestion: What does Sam blackmail David with?"
    },
    "references": [
      {
        "output": {
          "text": "recognizing him from his time as a prostitute. "
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Prostitution."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1483"
  },
  {
    "input": {
      "text": "The Ozunu Clan, led by the ruthless Lord Ozunu (Sho Kosugi), trains orphans from around the world to become the ultimate ninja assassins. One of these orphans, Raizo (Rain), was enrolled in the clan's brutal training to become its next successor. The only kindness he was ever shown was from a young kunoichi named Kiriko, with whom he eventually develops a romantic bond. As time goes on, Kiriko becomes disenchanted with the Ozunu's routine and wishes to abandon it for freedom. One rainy night, Kiriko decides to make her escape and encourages Raizo to join her; however he decides to stay. Branded as a traitor, Kiriko was caught and later executed in front of Raizo by their elder ninja brother Takeshi, impaling her through the heart. As a result of Kiriko's death, Raizo begins to harbor resentment and doubt towards the Ozunu. Some time later, Raizo is instructed by Lord Ozunu to complete his first assassination. Afterwards, Raizo meets the rest of his clan atop a city skyscraper in Berlin. There he is instructed by Lord Ozunu to execute another kunoichi traitor like Kiriko. He rebels against Lord Ozunu by cutting his face with a kyoketsu-shoge and engages in combat against his fellow ninja kin. Barely surviving, he falls off the roof of the skyscraper and into a river. Raizo recovers from his ordeal and begins to intervene and foil subsequent Ozunu assassination attempts, including a disguised female assassin at a laundromat.\nMeanwhile, Europol agent Mika Coretti (Naomie Harris) has been investigating money-linked political murders and finds out that they are possibly connected to the Ozunu. She defies her superior, Ryan Maslow (Ben Miles), and retrieves secret agency files to find out more about the investigation. Mika meets Raizo and convinces him to see Maslow for protection as well as to provide evidence against the Ozunu. However, Raizo is arrested by Maslow and abducted by agents from Europol for interrogation. Although feeling betrayed, Mika is assured by Maslow that he is still on her side and gives her a tracking device for emergencies. The Ozunu ninja infiltrate the Europol safehouse where Raizo is being held in an attempt to kill him and everybody inside. Mika frees Raizo and they both manage to escape, but Raizo suffers near-fatal wounds. Mika then takes him to a motel to hide. Resting in the motel, Mika implants the tracking device into Raizo, as the ninjas remain in pursuit. Unable to fend off the Ozunu, she hides outside the motel until Special Forces arrive to help her.\nBy the time they arrive, the ninjas have already kidnapped Raizo, bringing him before Lord Ozunu for prosecution. During transport back to the Ozunu, Raizo uses his ninja techniques to heal his own wounds. Europol special forces and tactical teams led by Maslow storm the secluded Ozunu retreat (nestled in the mountains) using the tracking device on Raizo. Turning the night into day by saturating the sky above with powerful flares, the military forces are able to fight the ninjas on their own terms. In the confusion, Mika frees Raizo from his bindings, where he proceeds to kill Takeshi and confront Lord Ozunu in a sword duel. Mika interferes to help, but is stabbed by Lord Ozunu. Enraged, Raizo uses a 'shadow blending' technique for the first time to distract and kill Lord Ozunu. Mika, seemingly fatally wounded, is in fact saved by a quirk of birth: her heart is actually on the opposite side of her chest. After Europol leaves, Raizo stays behind to tend to the ruins of the Ozunu retreat. He later climbs the same wall Kiriko did while trying to escape in the past, and looks out at the surrounding countryside, recognizing his freedom for the first time.\nQuestion: Why was Kiriko killed?"
    },
    "references": [
      {
        "output": {
          "text": "Because she ran away"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "She was branded as a traitor."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1474"
  },
  {
    "input": {
      "text": "A woman identifying herself as Evelyn Mulwray hires private investigator J. J. \"Jake\" Gittes to surveil her husband, Hollis Mulwray, chief engineer for the Los Angeles Department of Water and Power. Gittes tails him, hears him publicly oppose the creation of a new reservoir, and shoots photographs of him with a young woman, which are published on the front page of the following day's paper. Back at his office, Gittes is confronted by a woman who informs him she is the real Evelyn Mulwray, and that he can expect a lawsuit.\nRealizing he was set up, Gittes assumes that Mulwray's husband is the real target. Before he can question him, Lieutenant Lou Escobar fishes Mulwray, drowned, from a freshwater reservoir. Under retainer to Mrs. Mulwray, Gittes investigates his suspicions of murder and notices that, although huge quantities of water are released from the reservoir every night, the land is almost dry. Gittes is warned off by Water Department Security Chief Claude Mulvihill and a henchman, who slashes Gittes's nose. Back at his office, Gittes receives a call from Ida Sessions, who identifies herself as the imposter Mrs. Mulwray. She is afraid to identify her employer, but tells Gittes to check the day's obituaries.\nGittes learns that Mulwray was once the business partner of his wife's wealthy father, Noah Cross. Over lunch at his personal club, Cross warns Gittes that he does not understand the forces at work, and offers to double Gittes's fee to search for Mulwray's missing mistress. At the hall of records, Gittes discovers that much of the Northwest Valley has changed ownership. Investigating the valley, he is attacked by angry landowners, who believe he is an agent of the water department attempting to force them out by sabotaging their water supply.\nGittes deduces that the water department is drying the land so it can be bought at a reduced price, and that Mulwray was murdered when he discovered the plan. He discovers that a former retirement home resident is one of the valley's new landowners, and seemingly purchased the property a week after his death. Evelyn and Gittes bluff their way into the home and confirm that the real estate deals are surreptitiously completed in the names of its residents.\nAfter fleeing Mulvihill and his thugs, Gittes and Evelyn hide at Evelyn's house and sleep together. Early in the morning, Evelyn has to leave suddenly; she warns Gittes that her father is dangerous. Gittes follows her car to a house, where he spies her through the windows comforting Mulwray's mistress. He accuses Evelyn of holding the woman against her will, but she confesses that she is her sister.\nThe next day, an anonymous call draws Gittes to Ida Sessions's apartment; he finds her murdered and Escobar waiting for his arrival. Escobar tells him the coroner's report found salt water in Mulwray's lungs, indicating that he did not drown in the freshwater reservoir. Escobar suspects Evelyn of the murder and tells Gittes to produce her quickly. At Evelyn's mansion, Gittes finds her servants packing her things. He realizes her garden pond is salt water and discovers a pair of bifocals in it. He confronts Evelyn about her \"sister\"; after Gittes slaps her, she admits that the woman, Katherine, is her sister and her daughter: her father raped her when she was fifteen. She says that the eyeglasses are not Mulwray's, as he did not wear bifocals.\nGittes arranges for the women to flee to Mexico and instructs Evelyn to meet him at her butler's home in Chinatown. He summons Cross to the Mulwray home to settle their deal. Cross admits his intention to annex the Northwest Valley into the City of Los Angeles, then irrigate and develop it. Gittes accuses Cross of murdering Mulwray. Cross takes the bifocals and he and his men force Gittes at gunpoint to drive them to the women. When they reach the Chinatown address, the police are already there and detain Gittes. When Cross approaches Katherine, Evelyn shoots him in the arm and drives away with Katherine. The police open fire, killing Evelyn. Cross clutches Katherine and leads her away, while Escobar orders Gittes released. Lawrence Walsh, one of Gittes's associates, tells him: \"Forget it, Jake. It's Chinatown.\"\nQuestion: What does the real Evelyn Mulwray do when she first meets Jake?"
    },
    "references": [
      {
        "output": {
          "text": "Threatens to sue him. "
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "she files a lawsuit against him"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1571"
  },
  {
    "input": {
      "text": "Elizabeth Halsey is an immoral, gold-digging Chicago-area middle school English teacher who curses at her students, drinks heavily, smokes marijuana, and shows movies while sleeping through class. She plans to quit teaching and marry her wealthy fianc\u0102\u0160, Mark, but when he dumps her after learning she is only after his money, Elizabeth must resume her job. She tries to win over substitute teacher Scott Delacorte, who is also wealthy because his family runs a watch company. Amy Squirrel, a dedicated but overly enthusiastic colleague, also pursues Scott while the school's gym teacher, Russell Gettis, makes it clear that he is interested in Elizabeth romantically; she, however, is not interested in him because he's just a gym teacher.\nEarly in the film, Elizabeth plans to get surgery to enlarge her breasts, and becomes all the more motivated to do so once she learns Scott's ex-girlfriend had large breasts. However, when she tries to schedule an appointment for her breast surgery, she cannot afford the $9,300 procedure. To make things worse, Scott admits that he has a crush on Amy, and that he only likes Elizabeth as a friend. Elizabeth attempts to raise money for the surgery by participating in her 7th grade class car wash in provocative clothing and by manipulating parents to give her money for more school supplies and tutoring, but her efforts are not enough. Amy, acting on the growing resentment between them due to Elizabeth pursuing Scott and ignoring school rules, attempts to warn the principal about Elizabeth's embezzlement scheme, but he dismisses her claims as groundless.\nElizabeth later learns from her best friend, Lynn Davies, that the teacher of the class with the highest state test scores will receive a $5,700 bonus. With this knowledge, Elizabeth decides to change her style of teaching, forcing the class to intensely read and study To Kill A Mockingbird for the upcoming test. However, the change is too late and insufficient. The students have terrible scores on their quizzes, frustrating her even more. Meanwhile, she befriends Russell the gym teacher as Amy and Scott start dating. Desperate to pay off the procedure for her breast surgery, Elizabeth steals the state test answers by disguising herself as a journalist and seducing Carl Halabi, a state official who is in charge of creating and distributing the exams. Elizabeth gets Carl drunk and convinces him to take her to his office to have sex, but she spikes his drink and steals a copy of the answers. A month later, Elizabeth's class aces the test and she wins the bonus, giving her the funds needed to get her breasts enlarged.\nWhen Elizabeth learns that Amy and Scott are chaperoning an upcoming field trip, she smears an apple with poison ivy and leaves it for Amy, who ends up with her face breaking out in blisters, so she cannot go. On the trip, Elizabeth seduces Scott. They dry hump and Elizabeth secretly calls Amy using Scott's phone leaving a message recording all the action, ensuring she knows about the affair. However, Scott's peculiar behavior, which was subtly exposed by Russell, disappoints Elizabeth. Elizabeth later gives advice to one of her students who has an unrequited crush on the superficial Chase in class, which causes her to reflect on how she has been superficial as well. On a field trip the boy makes an embarrassing public confession of his love and is ridiculed by his classmates. Elizabeth takes him aside, gives him her bra, and tells everyone she caught him having sex with a student from another school, which erases his image as a loser.\nLeft behind at the school, Amy switches Elizabeth's desk with her own to trick the janitor into unlocking Elizabeth's sealed drawer. Amy finds Elizabeth's journalist disguise and the practice test, which leads her to suspect Elizabeth cheated on the state exam. Amy informs the principal and gets Carl to testify against her. However, Elizabeth took embarrassing photos of Carl while he was drugged and, with the help of her roommate, Kirk, uses them to blackmail him to say she is innocent. Having failed to nail Elizabeth for cheating, Amy accuses her of drug use, based on a tip from a student. When the police arrive and bring their sniffer dog to search the school, they find Elizabeth's mini liquor bottles, marijuana and OxyContin pills in Amy's classroom, in a secret compartment in Elizabeth's desk which Elizabeth helpfully points out to the police. At the end of the school year, Amy is moved to the worst school in the county by the superintendent. Scott asks Elizabeth to start over, indicating that he now has a crush on her, but Elizabeth rejects him in favor of a relationship with Russell, who she has learned she has a lot in common with.\nWhen the new school year starts, Elizabeth has not gotten the breast enlargement after all, because she feels that she looks fine the way she is. She also has a new position as the school's guidance counselor.\nQuestion: Why does Mark, Elizabeth's fiance, dump her?"
    },
    "references": [
      {
        "output": {
          "text": "He finds out she is a gold digger who's only after his money."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Because she is only after his money."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1366"
  },
  {
    "input": {
      "text": "The plot revolves around the Brewster family of Brooklyn, New York, descended from the Mayflower and composed of illustrious White Anglo-Saxon Protestant ancestors whose portraits line the walls. The religious theme is repeatedly mentioned, and Elaine is the daughter of the minister who lives next door, with some scenes held in its ancient cemetery. Today the Brewster clan comprises insane murderers.\nDespite having written several books ridiculing marriage as an \"old-fashioned superstition\", Mortimer Brewster (Cary Grant) falls in love with Elaine Harper (Priscilla Lane), who grew up next door to him in Brooklyn, and, on Halloween day, they marry. Immediately after the wedding, Mortimer visits the eccentric but lovable relatives who raised him and who still live in his old family home: his elderly aunts Abby (Josephine Hull) and Martha (Jean Adair), and his brother Teddy (John Alexander), who believes he is Theodore Roosevelt. Each time Teddy goes upstairs, he yells \"Charge!\" and takes the stairs at a run, imitating Roosevelt's famous charge up San Juan Hill.\nMortimer finds a corpse hidden in a window seat and assumes that Teddy has committed murder under some delusion, but his aunts explain that they are responsible (\"It's one of our charities\"). They explain in the most innocent terms that they have developed what Mortimer calls the \"very bad habit\" of ending the presumed suffering of lonely old bachelors by serving them elderberry wine spiked with arsenic, strychnine and \"just a pinch of cyanide\". The bodies are buried in the basement by Teddy, who believes he is digging locks for the Panama Canal and burying yellow fever victims.\nTo complicate matters further, Mortimer's brother Jonathan (Raymond Massey) arrives with his alcoholic accomplice, plastic surgeon Dr. Herman Einstein (Peter Lorre). Jonathan is a murderer trying to escape the police and find a place to dispose of the corpse of his latest victim, a certain Mr. Spenalzo. Jonathan's face, as altered by Einstein while drunk, looks like Boris Karloff's in his makeup as Frankenstein's monster. This resemblance  is frequently noted, much to Jonathan's annoyance. Jonathan, upon finding out his aunts' secret, decides to bury Spenalzo in the cellar (to which Abby and Martha object vehemently, because their victims were all nice gentlemen while Mr. Spenalzo is a stranger and a \"foreigner\") and soon declares his intention to kill Mortimer.\nWhile Elaine waits at her family home next door for Mortimer to take her on their honeymoon, Mortimer makes increasingly frantic attempts to stay on top of the situation, including multiple efforts to alert the bumbling local cops to the threat Jonathan poses, as well as to get the paperwork filed that will have Teddy declared legally insane and committed to a mental asylum (giving him a safe explanation for the bodies should the cops find them, and preventing his aunts from creating any more victims because they will no longer have any place to bury the bodies). He also worries that he will go insane like the rest of the Brewster family. As he puts it, \"Insanity runs in my family, practically gallops!\" While explaining this to Elaine, he claims they've been crazy since the first Brewsters came to America as pilgrims.\nBut eventually Jonathan is arrested, while Teddy is safely consigned to an asylum and the two aunts insist upon joining him. Finally, Abby and Martha inform Mortimer that he is not biologically related to the Brewsters after all: his real mother was the aunts' cook and his father had been a chef on a steamship. If he is not an upper-class Brewster then he realizes he will not become insane or a murderer. In the film's closing scene, after lustily kissing Elaine and before whisking her away to their honeymoon, he gleefully exclaims \"I'm not a Brewster, I'm a son of a sea cook!\"\nQuestion: How did the Bewster's come to America?"
    },
    "references": [
      {
        "output": {
          "text": "They came over on the Mayflower"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "decendents from the Mayflower"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1442"
  },
  {
    "input": {
      "text": "The plot begins with Bella in church. As she leaves, Charlie pushes a note into her hand. She reads that it says he will be in their old meeting place at eight o' clock. She meets him in a garden. After some playful conversation, Charlie introduces her to her first sexual experience. Father Ambrose, who had been hiding in the shrubs, surprises them afterward, scolding both of them for their behaviour and threatening to reveal what they have been doing to their guardians. Bella pleads for mercy. Father Ambrose, appearing to relent, tells Bella to meet him in the sacristy at two o'clock the next day and Charlie to meet him at the same time the day after that. Ambrose instructs Bella into a way she may be absolved of her sins and blackmails her into sex with him, lest he tell her guardian what she was up to. Then Ambrose's colleagues, the Fr Superior & Fr Clement, catch them in the act, and they demand equal rights to Bella's favours. And so Bella is introduced to serving the Holy community in a special way.\nDespite his promises, Ambrose goes to see Bella's uncle, Monsieur Verbouc and tells of her lewd behaviour. This leads to her uncle, who has long entertained lustful thoughts of his niece, attempting to force himself on Bella. The narrator then intervenes, biting him to put a damper on his ardour.\nNext, Father Clement, looking for Bella's room, climbs into the window of Bella's aunt, the pious Madame Verbouc, who had mistaken him for her husband. M. Verbouc then bursts in and his wife realises she's actually been making love to the randy priest.\nBella's friend, Julia Delmont, becomes Ambrose's next target. By now completely corrupted and happy to go along with whatever Ambrose suggests, Bella readily agrees to the Father's next scheme: She will offer herself to Monsieur Delmont, on condition that her face is covered. The trick is that it will not be Bella who lies there, but Delmont's own daughter. Father Ambrose seduces her and says he will come to her by night and make love to her, but she must hide her face.\nWhen the act is consummated, Bella appears and pretends that it was all a big mistake. But since Delmont has now potentially impregnated his daughter, the only way to be sure his incest cannot be discovered is to have all make love to her as well. In case she is pregnant, nobody can claim that her own father is the father.\nBella and Julia eventually become nuns, and the book ends as they participate in an orgy with 19 priests.\nQuestion: Who is Bella caught having sex with at the beginning of story by father Ambrose?"
    },
    "references": [
      {
        "output": {
          "text": "Charlie"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Charlie "
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1529"
  },
  {
    "input": {
      "text": "Two teenagers, Masami (Hitomi Sat\u014d) and Tomoko (Y\u016bko Takeuchi), talk about a videotape recorded by a boy in Izu which is fabled to bear a curse that kills the viewer seven days after watching. Tomoko reveals that a week ago, she and three of her friends watched a weird tape and received a call after watching. Tomoko is killed by an unseen force as Masami watches, horrified.\nDays later, Reiko Asakawa (Nanako Matsushima), a reporter investigating the popularity of the video curse, discovers that her niece Tomoko, and her three other friends, mysteriously died at the same time, on the same night, with their faces twisted in fear. She also discovers that Masami became insane and is in a mental hospital. After stumbling upon Tomoko's photos from the past week, Reiko finds that the four teenagers stayed in a rental cabin in Izu.\nReiko goes to Izu and arrives at the rented cabin, where she finds an unlabeled tape in the reception room of the teenagers' rental cottage. Watching the tape, Reiko sees a series of seemingly unrelated disturbing images. As soon as the tape is over, Reiko sees a mysterious reflection in the television and receives a phone call, with an unknown voice telling her \"seven days\". Disturbed, she leaves the cabin.\nReiko enlists the help of her ex-husband, Ry\u016bji Takayama (Hiroyuki Sanada). They take a picture of Reiko and find her face blurred in the photograph. Ry\u016bji then watches the tape, against Reiko's objections. A day later, Reiko creates a copy for Ry\u016bji for them to study. They find a hidden message embedded within the tape saying \"frolic in brine, goblins be thine\". The message is in a form of dialect from Izu \u014cshima Island. That night, Reiko catches her young son Yoichi watching the videotape; claiming that Tomoko had told him to do it. Reiko and Ry\u016bji sail for \u014cshima and discover the history of the great psychic Shizuko Yamamura, who was accused of faking supernatural powers; and thus committed suicide.\nWith only a day left, Reiko and Ry\u016bji discover that the videotape was made psionically by Shizuko's lost daughter, Sadako Yamamura, whose supernatural powers surpassed even those of her mother. The two go back to Izu with the assumption that Sadako is dead and her vengeful spirit (Onry\u014d) killed the teenagers. They uncover a well underneath the cabin and through a vision see the circumstances of Sadako's murder by her father. They try to find Sadako's body in an attempt to appease her spirit. Minutes before her seven days are up, Reiko finds Sadako's corpse, and they believe that the curse is broken.\nThe next day Ry\u016bji is at home and his TV switches on by itself, showing the image of a well. The ghost of Sadako crawls out of the well, out of Ry\u016bji's TV set, and frightens him into a state of shock, killing him via cardiac arrest. Before dying, he manages to dial Reiko's number; she hears his last minutes over the phone and realizes the videotape's curse remains unbroken. Desperate to save her son, Reiko realizes that copying the tape and showing it to someone else saved her. With a VCR and Ry\u016bji's copy of the tape, Reiko travels with her son to see her father in an attempt to save him, realizing that this is a never-ending cycle: The tape must always be copied and passed on to ensure the survival of the viewers.\nQuestion: Where in the rental cabin did Reiko find the deadly unlabeled tape upon discovery?"
    },
    "references": [
      {
        "output": {
          "text": "The reception room"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Izu"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1209"
  },
  {
    "input": {
      "text": "Sara Johnson, a promising dancer in high school, hopes to be admitted to study at Juilliard School and invites her mother to attend the audition. She fails the audition and soon learns that her mother was involved in a fatal car accident in her haste to get to the audition.\nSara is wracked by guilt and gives up on ballet. She moves in with her estranged father and transfers to an urban Chicago school. At her new school, Sara is one of a handful of white students but quickly befriends Chenille, a single teen mother who is having relationship problems. Chenille invites Sara to a dance club called STEPPS, where she has her first experience of dancing to hip hop rhythms. At STEPPS, Sara dances with Derek, Chenille's brother and a student with dreams of ultimately attending Georgetown Medical School. He decides to help Sara develop her dancing skills by incorporating more hip hop into her style. Derek takes a reluctant Sara to the Joffrey Ballet and, afterwards, Sara confides in him about her mother and her dreams. Later, they return to the club and amaze others with their dancing. Having achieved his dream of being accepted at Georgetown University, Derek convinces her to follow her dreams of Juilliard. Eventually, Sara and Derek begin a relationship.\nAt school, Nikki, Derek's jealous ex-girlfriend, picks a fight with Sara. Chenille tells Sara that she didn't approve of the fight but can understand the bitterness since Sara, a white girl, is seen as stealing one of the few decent black men in the school. Because of this, Sara breaks up with Derek. Meanwhile, Derek deals with his friend Malakai, who is heavily into the gang lifestyle that Derek is trying to leave. Derek accepts Malakai's plea for support in a drive-by for the same time as Sara's audition. Sara's father has a heart-to-heart talk with her and encourages her to audition for Juilliard again.\nAfter hearing what Chenille told Sara, Derek confronts her. She admits what she did was wrong and encourages him to be with Sara. Chenille also warns Derek not to support Malakai knowing the consequences and he will lose his chance to attend Georgetown. Derek turns his back on Malakai to attend Sara's audition. He arrives at a crucial point to offer her encouragement and moral support. After her audition, Sara is accepted and she rekindles her relationship with Derek. Meanwhile, the drive-by becomes botched and Malakai is arrested. The film closes as Sara, Derek, Chenille, and their friends meet at STEPPS to celebrate Sara's successful audition.\nQuestion: How do Derek and Sara reunite?"
    },
    "references": [
      {
        "output": {
          "text": "He shows up at her audition and encourages her."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Chenille encourages Derek to be with her."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1408"
  },
  {
    "input": {
      "text": "In Condition, Engels argues that the Industrial Revolution made workers worse off. He shows, for example, that in large industrial cities such as Manchester and Liverpool, mortality from disease (such as smallpox, measles, scarlet fever and whooping cough) was four times that in the surrounding countryside, and mortality from convulsions was ten times as high. The overall death-rate in Manchester and Liverpool was significantly higher than the national average (1 in 32.72, 1 in 31.90 and even 1 in 29.90, compared with 1 in 45 or 46). An interesting example shows the increase in the overall death-rates in the industrial town of Carlisle where before the introduction of mills (1779\u00e2\u0080\u009387), 4,408 out of 10,000 children died before reaching the age of five, and after their introduction the figure rose to 4,738. Before the introduction of mills, 1,006 out of 10,000 adults died before reaching 39 years old, and after their introduction the death rate rose to 1,261 out of 10,000.\nEngels' interpretation proved to be extremely influential with British historians of the Industrial Revolution. He focused on both the workers' wages and their living conditions. He argued that the industrial workers had lower incomes than their pre-industrial peers and they lived in more unhealthy and unpleasant environments. This proved to be a very wide-ranging critique of industrialisation and one that was echoed by many of the Marxist historians who studied the industrial revolution in the 20th century.\nOriginally addressed to a German audience, the book is considered by many to be a classic account of the universal condition of the industrial working class during its time. The eldest son of a successful German textile industrialist, Engels became involved in radical journalism in his youth. Sent to England, what he saw there made him even more radical. About this time he formed his lifelong intellectual partnership with Karl Marx.\nQuestion: How many adults died on average after the introduction of mills?"
    },
    "references": [
      {
        "output": {
          "text": "About 1260 out of 10,000."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "1,261 out of 10,000"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1315"
  },
  {
    "input": {
      "text": "The story may not be linear and exhibits several instances of temporal disruption. A dark-haired woman (Harring) escapes her own murder, surviving a car accident on Mulholland Drive. Injured and in shock, she descends into Los Angeles and sneaks into an apartment that an older, red-headed woman has just vacated. An aspiring actress named Betty Elms (Watts) arrives at the same apartment and finds the dark-haired woman confused, not knowing her own name. The dark-haired woman assumes the name \"Rita\" after seeing a poster for the film Gilda (1946), starring Rita Hayworth. To help Rita remember her identity, Betty looks in Rita's purse, where she finds a large amount of money and an unusual blue key.\nIn what seems to be a scene from a different narrative, set at a diner called Winkies, a man (Patrick Fischler) tells his companion (Michael Cooke) about a nightmare in which he dreamt there was a horrible figure behind the diner. When they investigate, the figure appears, causing the man with the nightmare to collapse in fright. As the principal narrative resumes, Hollywood director Adam Kesher (Justin Theroux) has his film commandeered by apparent mobsters, who insist he cast an unknown actress named Camilla Rhodes (Melissa George) as the lead in his film. After he resists, he returns home to find his wife having an affair and is thrown out of his house. He later learns that his bank has closed his line of credit and he is broke. He agrees to meet a mysterious figure called The Cowboy, who urges him to cast Camilla Rhodes for his own good. Later, a bungling hit man (Mark Pellegrino) attempts to steal a book full of phone numbers and leaves three people dead.\nTrying to learn more about Rita's accident, Betty and Rita go to Winkies and are served by a waitress named Diane, which causes Rita to remember the name \"Diane Selwyn\". They find Diane Selwyn in the phone book and call her, but she does not answer. Betty goes to an audition, where her performance is highly praised. A casting agent takes her to the set of a film called The Sylvia North Story, directed by Adam, where Camilla Rhodes gives an audition and Adam declares, \"This is the girl.\" Betty smiles shyly as she locks eyes with Adam, but she flees before she can meet him, saying that she is late to meet a friend.\nBetty and Rita go to Diane Selwyn's apartment and break in when no one answers the door. In the bedroom they find the body of a woman who has been dead for several days. Terrified, they return to their apartment, where Rita disguises herself with a blonde wig. The two women have sex that night and awake at 2 a.m., when Rita insists they go to an eerie theater called Club Silencio. On stage, a man explains in several languages that everything is an illusion; a woman begins singing then collapses, although her vocals continue. Betty finds a blue box in her purse that matches Rita's key. Upon returning to the apartment, Rita retrieves the key and finds that Betty has disappeared. Rita unlocks the box, and it falls to the floor with a thump.\nThe older red-headed woman investigates the sound, but nothing is there. The Cowboy appears in the doorway of Diane Selwyn's bedroom saying, \"Hey, pretty girl. Time to wake up.\" At this point, all elements of the narrative seem to change. Diane Selwyn (played by Watts) wakes up in her bed. She looks exactly like Betty, but is portrayed as a failed actress driven into a deep depression by her unrequited love for Camilla Rhodes (played now by Harring). On Camilla's invitation, Diane attends a party at Adam's house on Mulholland Drive. Her limousine stops before they reach the house and Camilla escorts her using a shortcut. Adam appears to be in love with Camilla. Over dinner, Diane states that she came to Hollywood when her aunt died, and she met Camilla at an audition for The Sylvia North Story. Another woman (played by George) kisses Camilla and they turn and smile at Diane. Adam and Camilla prepare to make an important announcement, and dissolve into laughter and kiss while Diane watches, crying.\nDiane meets with the hit man at Winkies, where she gives him Camilla's photo and a large amount of money, and they are served by a waitress named Betty. The hit man tells Diane that when the job is done, she will find a blue key. Diane asks what, if anything, the key opens, but the hit man just laughs. Diane looks up and sees the man who had the nightmare standing at the counter. Back at her apartment, with the key on a table in front of her, she is terrorized by hallucinations. She runs screaming to her bed, where she shoots herself. A woman at the club whispers \"Silencio\".\nQuestion: Why did the woman choose Rita as her name?"
    },
    "references": [
      {
        "output": {
          "text": "She came up with it, after seeing a poster featuring teh actress Rita Hayworth."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Because she saw a poster with Rita Hayworth."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1421"
  },
  {
    "input": {
      "text": "In 1941, SS colonel Hans Landa interrogates French dairy farmer Perrier La Padite as to the whereabouts of the last unaccounted-for Jewish family in the area. In exchange for the Germans agreeing to leave his family alone for the rest of the war, La Padite reveals that the Dreyfus family is hidden under the floor. Landa orders SS soldiers to shoot through the floorboards. The family is killed except for Shosanna, a young woman who escapes.\nThree years later, Lieutenant Aldo Raine of the First Special Service Force recruits Jewish-American soldiers to the Basterds, who spread fear among the German soldiers by killing and scalping them. The Basterds also recruit Sergeant Hugo Stiglitz, a German soldier who murdered thirteen Gestapo officers. Adolf Hitler interviews a German soldier, Private Butz, the only survivor of a Basterd attack on his squad. Raine carved the letter T into Butz's forehead with a knife so he could never hide that he voted for an avowed fascist.\nShosanna is operating a cinema in Paris under an assumed name. She meets Fredrick Zoller, a German sniper who killed 250 soldiers in a single battle; Zoller is to star in a Nazi propaganda film, Stolz der Nation (Nation's Pride). Infatuated with Shosanna, Zoller convinces Joseph Goebbels to hold the premiere of the film at her cinema. Shosanna plots with her projectionist and lover, Marcel, to kill the Nazi leaders attending the premiere by setting the cinema ablaze.\nUnknown to Shosanna, British Army Lieutenant Archie Hicox is working with the Basterds to plan an attack on the same premiere. Hicox goes to a tavern with Hugo Stiglitz and Basterd Wilhelm Wicki to meet an undercover agent, the German film star Bridget von Hammersmark. Hicox gives himself away by ordering three drinks and gesturing \"three\" with his hand (with thumb and pinky finger down); Gestapo Major Dieter Hellstrom knows that Germans gesture \"three\" with the thumb and first two fingers extended. Discovered, and the Basterds open fire, killing everyone in the tavern except Wilhelm and a wounded Hammersmark. Raine arrives and negotiates with Wilhelm for Hammersmark's release, but the she kills Wilhelm when he lowers his guard. Raine learns from Hammersmark that Hitler himself will be attending the film premiere and decides to continue the mission. Later, Landa investigates the aftermath at the tavern and finds one of Hammersmark's shoes and a napkin with her signature.\nAt the premiere, two of the Basterds, Donny Donowitz and Omar Ulmer, join Raine in posing as Italians, hoping to fool the Germans unfamiliar with the language. However, Landa, who speaks fluent Italian, converses briefly with the Basterds before sending Donowitz and Ulmer to their seats. He takes Hammersmark to a private room, verifies that the shoe from the tavern fits her, then strangles her to death. Raine and another of his men, Smithson \"The Little Man\" Utivich, are taken prisoner, but Landa has Raine contact his superior with the OSS and cuts a deal: he will allow the mission to proceed in exchange for immunity and rewards.\nDuring the screening, Zoller slips away to the projection room to see Shosanna. After she rejects his advances, he becomes aggressive. She pretends to acquiesce, then pulls a pistol from her bag and shoots him. Zoller, mortally wounded, raises his pistol and shoots her before they both die. As Stolz der Nation reaches its climax, spliced-in footage of Shosanna tells the audience that they are about to be killed by a Jew. Marcel, having locked the doors of the cinema, ignites a pile of flammable nitrate film behind the screen as Shosanna's image laughs. Ulmer and Donowitz break into the box containing Hitler and Goebbels, killing them, then fire their submachine guns into the crowd until the bombs go off, killing everyone in the theater. Landa and his radio operator drive Raine and Utivich into Allied territory, where they surrender. Raine shoots the radio operator and carves a swastika into Landa's forehead.\nQuestion: Who becomes infatuated with Shosanna?"
    },
    "references": [
      {
        "output": {
          "text": "Zoller"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Zoller"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1308"
  },
  {
    "input": {
      "text": "The novel centers on a young, independent, unnamed, wealthy traveler (the narrator), who visits a friend, a mining engineer. They explore a natural chasm in a mine which has been exposed by an exploratory shaft. The narrator reaches the bottom of the chasm safely, but the rope breaks and his friend is killed. The narrator finds his way into a subterranean world occupied by beings who seem to resemble angels. He befriends the first being he meets, who guides him around a city that is reminiscent of ancient Egyptian architecture. The explorer meets his host's wife, two sons and daughter who learn to speak English by way of a makeshift dictionary during which the narrator unconsciously teaches them the language. His guide comes towards him, and he and his daughter, Zee, explain who they are and how they function.\nThe hero discovers that these beings, who call themselves Vril-ya, have great telepathic and other parapsychological abilities, such as being able to transmit information, get rid of pain, and put others to sleep. The narrator is offended by the idea that the Vril-ya are better adapted to learn about him than he is to learn about them. Nevertheless, the guide (who turns out to be a magistrate) and his son Taee behave kindly towards him.\nThe narrator soon discovers that the Vril-ya are descendants of an antediluvian civilization called the Ana, who live in networks of subterranean caverns linked by tunnels. Originally surface dwellers, they had fled underground thousands of years previously to escape a massive flood and gained greater power by facing and dominating the harsh conditions of the Earth. The place where the narrator descended housed 12,000 families, one of the largest groups. Their society was a technologically supported Utopia, chief among their tools being an \"all-permeating fluid\" called \"Vril\", a latent source of energy that the spiritually elevated hosts are able to master through training of their will, to a degree that depended on their hereditary constitution. This mastery gave them access to an extraordinary force that could be controlled at will. It is this fluid that the Vril-ya employed to communicate with the narrator. The powers of the Vril included the ability to heal, change, and destroy beings and things; the destructive powers in particular were powerful, allowing a few young Vril-ya children to destroy entire cities if necessary.\nMen (called An, pronounced \"Arn\") and women (called Gy-ei, pronounced \"Jy-ei\") have equal rights. The women are as strong as, if not stronger than the men. They marry for just three years, after which they are free to remarry or to remain single.\nTheir religion posits the existence of a superior being but does not dwell on his nature. The Vril-ya believe in the permanence of life, which according to them is not destroyed but merely changes form.\nThe narrator adopts the attire of his hosts and begins also to adopt their customs. Zee falls in love with him and tells her father, who orders Taee to kill him with his staff. Eventually both Taee and Zee conspire against such a command, and Zee leads the narrator through the same chasm which he first descended. Returning to the surface, he warns that in time the Vril-ya will run out of habitable space underground and will claim the surface of the Earth, destroying mankind in the process, if necessary.\nQuestion: What does the city the narrator is guided through remind him of?"
    },
    "references": [
      {
        "output": {
          "text": "ancient Egyptian architecture"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Egyptian architecture"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1456"
  },
  {
    "input": {
      "text": "Similar to Joseph Conrad's better-known Heart of Darkness, Youth begins with a narrator describing five men drinking claret around a mahogany table. They are all veterans of the merchant navy. The main character, Marlow, tells the story of his first voyage to the East as second mate on board the Judea. The story is set twenty-two years earlier, when Marlow was 20. With two years of experience, most recently as third mate aboard a crack clipper, Marlow receives a billet as second mate on the barque Judea. The skipper is Captain John Beard, a man of about 60. This is Beard's first command. The Judea is an old boat, belonging to a man \"Wilmer, Wilcox or something similar\", suffering from age and disuse in Shadewell basin. The 400-ton ship is commissioned to take 600 tons of coal from England to Thailand. The trip should take approximately 150 days. The ship leaves London loaded with sand ballast and heads north to the Senn river to pick up the cargo of coal. On her way, the Judea suffers from her ballast shifting aside and the crew go below to put things right again. The trip takes 16 days because of inclement weather, and the battered ship must use a tug boat to get into port. The Judea waits a month on the Tyne to be loaded with coal. The night before she ships out she is hit by a steamer, the Miranda or the Melissa. The damage takes another three weeks to repair. Three months after leaving London, the Judea ships off for Bangkok.\nThe Judea travels through the North Sea and Britain. 300 miles west of the Lizard a winter storm, 'the famous winter gale of twenty-two years ago', hits. The storm \"guts\" the Judea; she is stripped of her stanchions, ventilators, bulwarks, cabin-door, and deck house. The oakum is stripped from her bottom seams and the men are forced to work at the pumps \"watch and watch\" to keep the ship afloat. After weathering the storm they must fight their way against the wind back to Falmouth to be refitted. Despite three attempts to leave, the Judea ultimately remains in Falmouth for more than six months until she is finally overhauled, recaulked, and refitted with a new copper hull. During the laborious overhaul, the cargo is wetted, knocked about, and reloaded multiple times. The rats abandon the reshipped barque and a new crew is brought in from Liverpool (because no sailor will sail on a ship abandoned by rats).\nThe Judea ships out to Bangkok, running at times 8 knots, but mostly averaging 3 miles per hour. Near the coast of Western Australia, the cargo spontaneously combusts. The crew attempts to smother the fire, but the hull cannot be made airtight. Then they attempt to flood the fire with water, but they cannot fill the hull. One hundred and ninety miles out from Java Head, the gases in the hull explode and blow up the deck; Marlow is hurled into the air and falls on the burning debris of the deck. The Judea hails a passing steamer, the Sommerville, which agrees to tow the wounded ship to Anjer or Batavia. Captain Beard intends to scuttle the Judea there to put out the fire, and then resurface her and resume the voyage to Bangkok. However, the speed of the Sommerville fans the smoldering fire into flames. The crew of the Judea is forced to send the steamer on without them while they attempt to save possibly most of the ship's gear for the underwriters. The gear is loaded into three small boats, which head due north towards Java. Before the crew leaves the Judea, they enjoy a last meal on deck. Marlow becomes skipper of the smallest of the ship's three boats. All the boats make it safely into a Java port, where they book passage on the steamer Celestial, which is on her return trip to England.\nThe story is loosely based upon reality. One of Conrad's pen-pals, or friends, discovered the secret of the port at which the boats called: the port was Muntok. Conrad became angry with him, calling Muntok 'a beastly hole'. The boats of the real ship reached the safety only after several hours, Marlow was a bit younger than Conrad etc.\nQuestion: Where did the Judea have to be refitted after going through the storm?"
    },
    "references": [
      {
        "output": {
          "text": "In Falmouth."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Falmouth"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1335"
  },
  {
    "input": {
      "text": "Boon opens with an introduction by Wells, calling it \"an indiscreet, ill-advised book.\" Wells pretends to repudiate any public identification with the work: \"Bliss is Bliss and Wells is Wells. And Bliss can write all sorts of things that Wells could not do.\"\nAs he was to do in The Research Magnificent, Wells creates a literary character (Reginald Bliss) who is making a book out of the literary remains of an author who has recently died (George Boon, a popular author of books and plays). Bliss attributes Boon's death to depression on account of the war. Bliss expresses disappointment that among Boon's papers (kept in \"barrels in the attic\") he has found \"nothing but fragments\" and \"a curious abundance of queer little drawings,\" many of which are reproduced'.\nThe principal text by Boon that he presents is titled The Mind of the Race, which is \"the singularly vivid and detailed and happily quite imaginary account of the murder of that eminent litt\u0102\u0160rateur, Dr. Tomlinson Keyhole.\" Bliss also recounts conversations about the themes of this work which he has had with Boon and with Edwin Dodd, \"a leading member of the Rationalist Press Association, a militant agnostic,\" and later with an author named Wilkins.\nThe principal philosophical theme engaged in Boon is whether such a thing as \"the Mind of Humanity\" can be said to exist, or whether, as Dodd believes, such a notion is \"mysticism.\"\nIn the unfinished work Boon was planning, a character named Hallery is \"fanatically obsessed by this idea of the Mind of the Race,\" as indeed Wells was himself. He is imagined lecturing unsuccessfully on the subject at a conference on the subject at a seaside villa that Henry James attends. Chapter 4 of Boon is largely a frontal assault on Henry James's late manner, and contains long pastiches of his style. James's belief that a novel should have unity is vigorously attacked, as are his characters (\"eviscerated people he has invented\" who \"never make lusty love, never go to angry war, never shout at an election or perspire at poker,\" but only \"nose out suspicions, hint by hint, link by link\"). Chapter 5 mocks other writers, especially George Bernard Shaw, and includes an outline of a paper on \"The Natural History of Greatness, with especial reference to Literary Reputations\" that shows that some of Wells's critical notions were far ahead of his time. Wells's stand-in Hallery argues for an expansion of the concept of literature that anticipates future critical developments. Chapter 6 analyses the resistance Hallery's quasi-religious concept of the institution of literature inspires, even in Hallery himself. Chapter 7 criticises the thought of Friedrich Nietzsche and lambastes Houston Stewart Chamberlain's pro-German work The Foundations of the Nineteenth Century.\nBoon concludes with two humorous symbolic tales entitled \"The Wild Asses of the Devil\" and \"The Last Trump.\" The latter tale engages theological themes that Wells would soon be developing in a serious vein in God the Invisible King (1917).\nQuestion: Who was the literacy character created by Wells?"
    },
    "references": [
      {
        "output": {
          "text": "Reginald Bliss"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Reginald Bliss"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1337"
  },
  {
    "input": {
      "text": "Mary begins with a description of the conventional and loveless marriage between the heroine's mother and father. Eliza, Mary's mother, is obsessed with novels, rarely considers anyone but herself, and favours Mary's brother. She neglects her daughter, who educates herself using only books and the natural world. Ignored by her family, Mary devotes much of her time to charity. When her brother suddenly dies, leaving Mary heir to the family's fortune, her mother finally takes an interest in her; she is taught \"accomplishments\", such as dancing, that will attract suitors. However, Mary's mother soon sickens and requests on her deathbed that Mary wed Charles, a wealthy man she has never met. Stunned and unable to refuse, Mary agrees. Immediately after the ceremony, Charles departs for the Continent.\nTo escape a family who does not share her values, Mary befriends Ann, a local girl who educates her still further. Mary becomes quite attached to Ann who is in the grip of an unrequited love and does not reciprocate Mary's feelings. Ann's family falls into poverty and is on the brink of losing their home, but Mary is able to pay off their debts after her marriage to Charles gives her limited control over her money.\nAnn becomes consumptive and Mary travels with her to Lisbon in hopes of nursing her back to health. There they are introduced to Henry, who is also trying to regain his health. Ann dies and Mary is grief-stricken. Henry and Mary subsequently fall in love but are forced to return to England separately. Mary, depressed by her marriage to Charles and bereft of both Ann and Henry, remains unsettled, until she hears that Henry's consumption has worsened. She rushes to his side and cares for him until he dies.\nAt the end of the novel, Charles returns from Europe; he and Mary establish something of a life together, but Mary is unhealthy and can barely stand to be in the same room with her husband; the last few lines of the novel imply that she will die young.\nQuestion: What does Mary devote much of her time to?"
    },
    "references": [
      {
        "output": {
          "text": "charity"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Charity"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1114"
  },
  {
    "input": {
      "text": "Domino Harvey, a bounty hunter, has been arrested by the FBI, investigating the theft of $10 million from an armored truck. Domino is interviewed by criminal psychologist Taryn Mills and tells her everything she knows about the case. Domino explains about her profession and the events leading up to the theft with Mills occasionally prompting her to give more detail.\nDomino, a former model living in Los Angeles becomes a bounty hunter when, after being kicked out of college, she notices a newspaper advertisement for a bounty hunter training seminar. Her colleagues are Ed Moseby, Choco and Afghan driver Alf. They are employed by Claremont Williams III, a bail bondsman who also runs an armored car business. Claremont's mistress, Lateesha Rodriguez, works for the California Department of Motor Vehicles. Her granddaughter Mica is suffering from a blood disease and needs an operation that costs $300,000. Claremont sets up the robbery of $10 million from Drake Bishop, the owner of the Stratosphere Hotel and Casino in Las Vegas and a client of Claremont. His bounty hunters would return the stolen money and collect a $300,000 finder's fee from Bishop.\nLateesha has been running a counterfeit driver's license racket at the DMV. A teenager named Frances arrives at the DMV and asks Lateesha for fake driver's licenses for himself, his brother, and two of their friends. The FBI are tipped about Lateesha's counterfeit driver's license racket. They threaten to send her to jail unless she gives them information about Frances, whom they have been surveilling. Lateesha throws them off the trail by stating that Frances, his brother and his two friends are going to commit the robbery, when in reality she and Claremont are doing it themselves.\nLateesha carries out the robbery with the help of three co-workers. Claremont finds that Frances and his brother are the sons of mafia boss Anthony Cigliutti. He phones Lateesha and tells her to abort the plan, leaving the money with getaway driver Locus Fender who takes the money to his mother's trailer home. Claremont has the bounty hunters apprehend Frances, his brother and his two friends and then tells them to deliver them to men working for Drake Bishop. Claremont tells them to retrieve the money from Locus Fender and to deliver it to Bishop at the Stratosphere Casino. Following a shootout with Locus's mother, the money is retrieved. Cigliutti is told about his sons' arrest and is led to believe that Bishop had his sons killed. In reality Bishop's men released them on finding that they did not know anything about the robbery. Believing his sons dead, Cigliutti is out for revenge and heads for the Stratosphere. In Las Vegas, Domino takes $300,000 of Bishop's money and gives it to Lateesha for Mica's operation.\nAt the Stratosphere, the bounty hunters meet with Bishop, who has an armed crew with him. Domino and Bishop discuss the money and what should happen next. Alf has stolen the money and filled the sacks with plastic explosives. He then reveals that he has the remote detonator taped to his hand, and has shipped the money to aid freedom fighters in Afghanistan. Shortly after this revelation Anthony Cigliutti turns up with his crew. Though Bishop denies he has had Cigliutti's sons killed, Cigliutti shoots Bishop. In the ensuing gunfight Choco and Ed are severely wounded, but make it into the elevator with Domino. Alf blows up the top of the Stratosphere and Domino is the only survivor.\nAfter having told Taryn Mills everything, Domino is released by the FBI. Mills advises Domino to retire from bounty hunting. The money in boxes is delivered to Afghanistan and opened by celebrating children in the streets, Mica gets her operation, and Domino share a moment with her mother.\nQuestion: What happens to Domino after she confesses everything to Mills?"
    },
    "references": [
      {
        "output": {
          "text": "Mills releases Domino and advises her to retire from bounty hunting. "
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "FBI released him"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1198"
  },
  {
    "input": {
      "text": "The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his \"acorn song\" recalls London's play, \"The Acorn Planters.\"). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a \"swimming tank,\" emerging in \"a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.\") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as \"the sculptor Froelig\"\u00a0\u2014 and painter Xavier Martinez appears as the character \"Xavier Martinez!\"\nThe novel ends with Paula wounding herself mortally with a rifle\u2014the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband\u2014and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: \u201cTwo bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don\u2019t like to be hurt.\"\nQuestion: What is the London play called?"
    },
    "references": [
      {
        "output": {
          "text": "The Acorn Planters"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "the acorn planters"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1178"
  },
  {
    "input": {
      "text": "As the film opens, Joe Buck (Jon Voight), a young Texan working as a dishwasher, dresses in new cowboy clothing, packs a suitcase, and quits his job. He heads to New York City hoping to succeed as a male prostitute for women. Initially unsuccessful, he succeeds in bedding a well-to-do middle-aged New Yorker (Sylvia Miles), but Joe ends up giving her money.\nJoe then meets Enrico Salvatore \"Ratso\" Rizzo (Dustin Hoffman), a street con man with a limp who takes $20 from Joe by offering to introduce him to a known pimp. (John McGiver). Joe flees the encounter in pursuit of Ratso. Joe spends his days wandering the city and sitting in his hotel room. Soon broke, he is locked out of his hotel room and most of his belongings are impounded.\nHe tries to make money by agreeing to receive oral sex from a young man (Bob Balaban) in a movie theater. When Joe learns that the young man has no money, Joe threatens him and asks for his watch, but eventually lets him go. The following day, Joe spots Ratso and angrily shakes him down. Ratso offers to share the apartment in which he is squatting in a condemned building. Joe accepts reluctantly, and they begin a \"business relationship\" as hustlers. As they develop a bond, Ratso's health, which has never been good, grows steadily worse.\nJoe's story is told through flashbacks. His grandmother raises him after his mother abandons him, and his grandmother abuses him. He also has a tragic relationship with Annie, a local girl. Ratso's backstory comes through stories he tells Joe. His father was an illiterate Italian immigrant shoe-shiner, who worked in a subway station. He developed a bad back, and \"coughed his lungs out from breathin' in that wax all day\". Ratso learned shining from his father but won't stoop so low as to do so. He dreams of moving one day to Miami.\nAn unusual couple approach Joe and Ratso in a diner and hand Joe a flyer, inviting him to a party. They enter a Warhol-esque party scene (with Warhol superstars in cameos). Joe smokes a joint, thinking it's a normal cigarette and, after taking a pill someone offered, begins to hallucinate. He leaves the party with a socialite (Brenda Vaccaro), who agrees to pay $20 for spending the night with him, but Joe cannot perform. They play scribbage together and Joe shows his limited academic prowess. She teasingly suggests that Joe may be gay and he is suddenly able to perform.\nIn the morning, the socialite sets up her friend as Joe's next customer and it appears that his career is on its way. When Joe returns home, Ratso is bedridden and feverish. Ratso refuses medical help and begs Joe to put him on a bus to Florida. Desperate, Joe picks up a man in an amusement arcade (Barnard Hughes), and when things go wrong, robs the man when he tries to pay with a religious medallion instead of cash. With the stolen money, Joe buys bus tickets. On the journey, Ratso's frail physical condition further deteriorates. At a rest stop, Joe buys new clothing for Ratso and himself, discarding his cowboy outfit. As they near Miami, Joe talks of getting a regular job, only to realize Ratso has died. The driver tells Joe there is nothing else to do but continue on to Miami. The film closes with Joe, alone and afraid, seated with his arm around his dead friend.\nQuestion: What form of work did Ratso learn from his father?"
    },
    "references": [
      {
        "output": {
          "text": "shoe shining"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Shoe-shiner."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1117"
  },
  {
    "input": {
      "text": "The film depicts two days in the lives of four real estate salesmen who are supplied with names and phone numbers of leads. They use underhanded and dubious tactics to make sales. Many of the leads rationed out by the office manager lack either the money or the desire to actually invest in land.\nBlake (Baldwin) is sent by Mitch and Murray, the owners of Premier Properties, to motivate the salesmen. Blake unleashes a torrent of verbal abuse on the men and announces that only the top two sellers will be allowed access to the more promising Glengarry leads and the rest of them will be fired.\nShelley \"The Machine\" Levene (Lemmon), a once-successful salesman now in a long-running slump and with a chronically ill daughter in the hospital with an unknown medical condition, knows that he will lose his job soon if he cannot generate sales. He tries to convince office manager John Williamson (Spacey) to give him some of the Glengarry leads, but Williamson refuses. Levene tries first to charm Williamson, then to threaten him, and finally to bribe him. Williamson is willing to sell some of the prime leads, but demands cash in advance. Levene cannot come up with the cash and leaves without any good leads.\nMeanwhile, Dave Moss (Harris) and George Aaronow (Arkin) complain about Mitch and Murray, and Moss proposes that they strike back at the two by stealing all the Glengarry leads and selling them to a competing real estate agency. Moss's plan requires Aaronow to break into the office, stage a burglary and steal all of the prime leads. Aaronow wants no part of the plan, but Moss tries to coerce him, saying that Aaronow is already an accessory before the fact simply because he knows about the proposed burglary.\nAt a nearby bar, Ricky Roma (Pacino), the office's top \"closer,\" delivers a long, disjointed but compelling monologue to a meek, middle-aged man named James Lingk (Pryce). Roma does not broach the subject of a Glengarry Farms real estate deal until he has completely won Lingk over with his speech. Framing it as an opportunity rather than a purchase, Roma plays upon Lingk's feelings of insecurity.\nThe film then skips to the next day when the salesmen come into the office to find that there has been a burglary and the Glengarry leads have been stolen. Williamson and the police question each of the salesmen in private. After his interrogation, Moss leaves in disgust, only after having one last shouting match with Roma. During the cycle of interrogations, Lingk arrives to tell Roma that his wife has told him to cancel the deal. Scrambling to salvage the deal, Roma tries to deceive Lingk by telling him that the check he wrote the night before has yet to be cashed, and that accordingly he has time to reason with his wife and reconsider.\nLevene abets Roma by pretending to be a wealthy investor who just happens to be on his way to the airport. Williamson, unaware of Roma and Levene's stalling tactic, lies to Lingk, claiming that he already deposited his check in the bank. Upset, Lingk rushes out of the office, and Roma berates Williamson for what he has done. Roma then enters Williamson's office to take his turn being interrogated by the police.\nLevene, proud of a massive sale he made that morning, takes the opportunity to mock Williamson in private. In his zeal to get back at Williamson, Levene accidentally reveals that he knows Williamson lied to Roma minutes earlier about depositing Lingk's check and had left the check on his desk and had not made the bank run the previous night \u00e2\u0080\u0094 something only a man who broke into the office would know. Williamson catches Levene's slip of the tongue and compels Levene to admit that he broke into the office. Levene finally caves in and admits that he and Moss conspired to steal the leads. Levene attempts to bribe Williamson to keep quiet about the burglary. Williamson scoffs at the suggestion and tells Levene that the buyers to whom he had made his sale earlier that day are in fact bankrupt and delusional and just enjoy talking to salesmen. Levene, crushed by this revelation, asks Williamson why he seeks to ruin him. Williamson coldly responds, \"Because I don't like you.\"\nLevene makes a last-ditch attempt at gaining sympathy from Williamson by mentioning his daughter's health, but Williamson cruelly rebuffs him and leaves to inform the detective about Levene's part in the burglary. Roma walks out of the room as Williamson enters. Unaware of Levene's guilt, Roma talks to Levene about forming a business partnership before the detective starts calling for Levene. Levene walks, defeated, into Williamson's office. Roma then leaves the office to go out for lunch, while Aaronow returns back to his desk to make his sales calls as usual.\nQuestion: How does Moss suggest they strike back at Mitch and Murray?"
    },
    "references": [
      {
        "output": {
          "text": "By stealing the Glengarry leads."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "By stealing all their leads and sell them to a competing real estate agency."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1273"
  },
  {
    "input": {
      "text": "The film opens in what will become North Texas, 35,000\u00c2\u00a0BC. Entering a cave, two cavemen hunters stumble upon a large extraterrestrial life form. One is killed by the creature while the other one fights and wins, stabbing the creature to death, but he is also infected by a black oil-like substance which crawls into his skin. In 1998, in the same area, when a group of boys are digging a deep hole, a young boy named Stevie falls down the hole and finds a human skull. As he holds it, black oil seeps into his body until it reaches his head, causing his eyes to turn black. Later, four firefighters descend into the hole to rescue him, but do not come out. A team of biohazard-suited men arrives on the scene.\nMeanwhile, FBI Special Agents Fox Mulder and Dana Scully have been assigned to other projects since the closure of the X-Files. They are helping investigate a bomb threat against a federal building in Dallas. Mulder inspects a building across the street from the supposed target and discovers the bomb in a vending machine. Special Agent in Charge Darius Michaud stays behind to disarm the bomb as Mulder and Scully evacuate the building. Unknown to the agents, Michaud makes no effort to disarm the bomb, which detonates.\nReturning to Washington, D.C., Mulder and Scully are chastised because, in addition to Michaud, five people were apparently still in the building during the bombing. There are scheduled separate hearings at which their job performances will be evaluated. That evening, Mulder encounters a paranoid doctor, Alvin Kurtzweil, who explains that the victims were the firefighters and boy, that they were already dead, and that the bomb was allowed to detonate in order to destroy evidence of how they died. At the hospital morgue, Scully is able to examine one of the victims, finding evidence of an alien virus.\nMeanwhile, Mulder and Scully's enemy, the Cigarette Smoking Man, meets with Dr. Ben Bronschweig in Texas, which they locate one of the firefighters who contains the same alien virus, but with an alien organism residing inside the body; the Cigarette Smoking Man orders to administer a vaccine to it, but should it fail, have the body burned. Later, the alien organism gestates and kills Bronschweig.\nMulder and Scully travel to the crime scene in Texas. They come across a strange train hauling tanker trucks and they follow it to a large cornfield surrounding two glowing domes. They enter the domes, only to find them empty. Suddenly, grates leading to an underground area open in the floor and a swarm of bees chases the agents out into the cornfield. Black helicopters appear and begin to chase them, but they escape and head back to Washington.\nAfter returning, Mulder unsuccessfully tries to get help from Kurtzweil, while Scully attends her performance hearing and learns that she is being transferred to Salt Lake City, Utah. Mulder is devastated to lose Scully as a partner. The two are about to share a kiss when Scully is stung by a bee which had lodged itself under her shirt collar. The sting causes Scully to quickly lose consciousness. Mulder calls for the paramedics but when an ambulance arrives, the driver shoots Mulder in the head and whisks Scully away. Waking up in hospital, Mulder is told the bullet only grazed his temple and leaves with the help of The Lone Gunmen and FBI Assistant Director Walter Skinner. Mulder then meets a former adversary, the Well-Manicured Man, who gives him Scully's location in Antarctica, along with a vaccine to combat the virus that has infected her. The Well-Manicured Man then kills himself in a car bomb, before his betrayal of The Syndicate is discovered.\nMulder travels to Antarctica to save Scully, and discovers a secret underground laboratory run by the Cigarette Smoking Man. Mulder uses the vaccine to revive Scully, disrupting the stable environment of the lab and reviving the cocooned aliens. The lab is destroyed just after Mulder and Scully escape to the surface. It turns out to be part of a huge alien vessel lying dormant beneath the snow; the vessel pushes up through tons of ice and snow and travels straight up into the sky. Mulder watches the ship fly directly overhead and disappear into the distance, as Scully regains consciousness.\nSome time later, Scully attends a hearing, where her testimony is ignored and the evidence covered up. The only remaining proof of their ordeal is the bee that stung Scully, collected by the Lone Gunmen. She hands it over, noting that the FBI does not currently have an investigative unit qualified to pursue the evidence at hand. Outside, Mulder is reading an article that has covered up the domes and crop field in Texas; Scully informs Mulder that she is willing to continue working with him.\nAt another crop outpost in Tunisia, the Cigarette Smoking Man warns Strughold that Mulder remains a threat, as he explains what Mulder has found out about the virus. He then hands him a telegram revealing that the X-files unit has been re-opened.\nQuestion: Who doesn't disarm a bomb?"
    },
    "references": [
      {
        "output": {
          "text": "Michard"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Agent Michaud"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1180"
  },
  {
    "input": {
      "text": "Bob Wiley (Bill Murray) is a good-natured man with great work ethic, but he suffers from multiple phobias and is divorced. He feels good about the results of an initial session with Dr. Leo Marvin (Richard Dreyfuss), a New York psychoanalytical psychiatrist with a huge ego, but is immediately left on his own with a copy of Leo's new book, Baby Steps, when the doctor goes on vacation to Lake Winnipesaukee, New Hampshire for a month. Unable to cope, Bob follows Leo to his vacation home. Leo is annoyed because he does not see patients on vacation but, seeing how desperate Bob is, he gives Bob a prescription telling him to \"take a vacation from his problems.\" Bob seems to have made a breakthrough, but the next morning shows up at Leo's house again and says that he decided to take a vacation both in spirit and in fact. He is staying on at Lake Winnipesaukee as a guest of the Guttmans, a couple who own a coffee shop and are more than happy to have Bob as their guest and encourage him to be around Leo, as they hold a grudge against Dr. Marvin for purchasing the lakeside home they had been scrimping and saving for years to buy.\nBob suggests that they start a friendship, although Leo thinks being friends with a patient is beneath him and attempts to avoid any further contact. However, Bob swiftly ingratiates himself with Leo's family, who think Bob may have some foibles, but is otherwise a balanced and sociable man. Leo's children: Anna (Kathryn Erbe) and Sigmund (Charlie Korsmo) find that Bob relates well to their problems, in contrast with their father's clinical approach, while Bob begins to gain an enjoyment of life from his association with them. Bob goes sailing with Anna and helps Sigmund to dive into the lake, which Leo was unable to help him with. Leo then angrily pushes Bob into the lake and Leo\u00e2\u0080\u0099s wife, Fay, insists on inviting Bob to dinner to apologize, which Bob accepts (as he views Leo's slights against him as accidental and/or part of his therapy). At dinner, Bob's comment on Baby Steps causes Leo to choke, and Bob saves his life by repeatedly and violently landing his full weight on the doctor's prostrated form. A thunderstorm then forces Bob to spend the night. Leo wants Bob out of the house by 6:30, as Good Morning America is arriving at 7 to interview him about Baby Steps. The next morning, however, the television crew shows up early and, oblivious to Leo's discomfort, suggest having Bob on the show as well. Leo is tense and makes a fool out of himself during the interview while Bob is relaxed and speaks glowingly of Leo and the book, unintentionally stealing the spotlight.\nOutraged, Leo throws a tantrum and then attempts to have Bob committed, but Bob is soon released after telling the staff of the institution therapy jokes, easily demonstrating his sanity. Forced to retrieve him, Leo then abandons Bob in the middle of nowhere, but Bob quickly gets a ride back to Leo's house while a variety of mishaps delay Leo until nightfall. Leo is then surprised by the birthday party that Fay has been secretly planning for him, and he is delighted to see his beloved sister Lily. But when Bob appears and puts his arm around Lily, Leo becomes completely enraged and attacks him. Bob remains oblivious to Leo\u00e2\u0080\u0099s hostility, but Fay explains that Leo has been acting unacceptably as a result of an inexplicable grudge against Bob, and he agrees to leave. Meanwhile, Leo breaks into the town's general store, stealing a shotgun and 20 pounds of explosives. Bob becomes terrified while walking through the dark woods and is kidnapped at gunpoint by Leo, who leads him deep into the woods, ties him up, and straps the explosives onto him, calling it \"death therapy.\" Leo then returns to the house, gleefully preparing his cover story. Believing the explosives to be props and used as a metaphor for his problems, Bob applies Leo's \"Baby Steps\" approach and manages to free himself both of his physical restraints and his fears; he reunites with Leo and his family, praising Leo for curing him with \"death therapy.\" A frantic Leo asks Bob where he put the black powder, to which Bob replies \"in the house\" just before the Marvins' vacation home detonates. The shock leaves Leo in a catatonic state.\nSome time later, the still-catatonic Leo is brought to Bob and Lily's wedding. Upon their pronouncement as husband and wife, Leo regains his senses and screams, \"No!\" but the sentiment is lost in the family's excitement at his recovery. Text at the end reveals that Bob went back to school and became a psychologist, then wrote a best selling book titled Death Therapy, and that Leo is suing him for the rights.\nQuestion: Why does Wiley go to see Marvin?"
    },
    "references": [
      {
        "output": {
          "text": "he got divorced and has several phobias"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Multiple phobias"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1261"
  },
  {
    "input": {
      "text": "In 1937, a military facility is on watch behind a two-way mirror as a soldier (Bill Hader), smoking marijuana, begins to reveal very graphically what he hates about the army, but still remains euphoric. A high-ranking officer (James Remar) immediately closes the project and deems marijuana illegal.\nJump ahead seventy years later, Dale Denton (Seth Rogen) is a 25-year-old process server and habitual marijuana smoker. He makes a visit to the home of his drug dealer, Saul Silver (James Franco), to buy marijuana. Saul tells him that he may already know the identity of Dale's next customer, Ted Jones (Gary Cole). Dale drives to Ted's house and witnesses Ted and a police officer, Officer Carol Brazier (Rosie Perez), shoot a man to death. Dale panics and flees the area, but leaves his roach at the scene, which contains a rare strain of marijuana called Pineapple Express. Ted is able to identify the strain and sends his two henchmen, Budlofsky and Matheson (Kevin Corrigan and Craig Robinson) to a dealer, Red (Danny McBride), who tells them that he has only sold the pot to Saul.\nDale flees to Saul's apartment and learns that Ted is a dangerous drug lord and could trace the roach back to Saul. Dale and Saul flee into the nearby woods while Ted's henchmen persuade Red to arrange a meeting with Saul. They accidentally fall asleep in Dale's car and wake up to find that they missed their meeting with Red. They leave the woods and arrive at Red's house, hoping to determine whether Ted has linked them with the Pineapple Express. Red says Ted isn't after them but Dale realizes that he's lying, and starts a fight that results in Red getting knocked out. They wake Red and question him until he reveals that Ted has discovered who they are and is going to kill them. Dale and Saul decide that they must leave the city.\nIn order to leave town, Dale and Saul sell some Pineapple Express to raise bus fare. However, a police officer named Barber (Cleo King) sees Dale and arrests him for selling marijuana. In the back of the cruiser, Dale tries to convince Barber that Brazier is corrupt and tells her that he witnessed her and Ted murder a man. Barber recognizes Brazier and promises him that she will investigate her soon. However, Saul leaps out in front of the police car and hijacks it thinking that Brazier is the one driving. Brazier hears a police radio call of Dale's arrest and pursues Dale and Saul in a high-speed chase but they manage to escape. After an argument with each other about the situation they are in, Dale and Saul go their separate ways. Saul visits his grandmother in an assisted living home but is kidnapped and held hostage in Ted's lair beneath a barn. Dale enlists Red to help him rescue Saul but Red unexpectedly backs out at the last minute and Dale is captured. While Dale and Saul are held hostage, they reconcile with each other and make plans to escape.\nSuddenly, Asian mobsters attack the barn to avenge a fellow gangster's death at the hands of Ted and Officer Brazier (the same murder that Dale witnessed). Dale and Saul finally free themselves but are caught by Matheson. Matheson grazes Dale's ear with a gunshot but is disarmed and shot by Saul. Dale and Saul join the fight and a brawl ensues between Dale and Ted. When Budlofsky refuses to kill Saul, Matheson emerges from the lair and shoots him in the chest, killing him. He turns around to kill Saul but Red drives through the barn and saves Saul by hitting Matheson with his car. Red is then seemingly shot to death by Brazier. One of the mobsters activate a bomb, resulting in Ted's death, and setting fire to the barn. When Red's car explodes, it flips over and lands on Brazier, killing her. The explosion incapacitates Saul but Dale finds him and carries him out of the burning barn. Red, wounded but still alive, also escapes and reconciles with them. Afterwards they eat breakfast at a diner and talk about their adventure before Saul's grandmother picks them up and takes them to the hospital.\nQuestion: Why do Asian mobsters storm the barn?"
    },
    "references": [
      {
        "output": {
          "text": "To avenge their member's death."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "To avenge a fellow gangsters death."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1290"
  },
  {
    "input": {
      "text": "Eighteen-year\u2013old Charity Royall is bored with life in the small town of North Dormer. She is a librarian and ward of North Dormer\u2019s premier citizen, Lawyer Royall. While working at the library, Charity meets visiting architect Lucius Harney.\nWhen Harney\u2019s cousin, Miss Hatchard, with whom he is boarding, leaves the village, Harney becomes Mr. Royall\u2019s boarder, and Charity his companion while he explores buildings for a book on colonial houses he is preparing. Mr. Royall, who once tried to force his way into Charity's bedroom after his wife's death, and later asked her to marry him, notices their growing closeness. He tries to put a stop to it by telling Harney he can no longer accommodate him in his house. Harney makes it appear as though he has left town, but only moves to a nearby village and continues to communicate with Charity.\nOn a trip to Nettleton, Harney kisses Charity for the first time and buys her a present of a brooch. Afterwards they run into a drunken Mr. Royall, who is accompanied by prostitutes. Mr. Royall verbally abuses Charity, causing her to become overwhelmed with shame. After the trip, Charity and Harney begin a sexual relationship.\nAt a ceremony during North Dormer\u2019s Old Home Week, Charity sees Harney with Annabel Balch, a society girl whom she envies. Afterwards, Charity goes to the abandoned house where she and Harney usually meet. Mr. Royall unexpectedly shows up and, when Harney arrives, Mr. Royall asks him sarcastically if that is where he intends to live after he marries Charity. After an angry Mr. Royall leaves, Harney promises Charity that he is going to marry her, but that he has to go away for a while first. After Harney has left the town, Charity\u2019s friend Ally lets slip that she saw him leave with Annabel Balch, to whom he is engaged to be married. Charity writes a letter to Harney telling him to do the right thing and marry Annabel.\nCharity has been feeling unwell, so she goes to Dr. Merkle (\"a plump woman with small bright eyes, an immense mass of black hair coming down low on her forehead, and unnaturally white and even teeth\"), who confirms her suspicion that she is pregnant. After the examination Dr. Merkle charges five dollars, and Charity, not having enough money to cover it, has to leave the brooch Harney gave her. When she gets home she reads a letter from Harney that makes her realize that, despite his promises, he is unlikely to break his engagement to Miss Balch.\nCharity decides she cannot stay at home and so makes her way to the mountain, intending to look for her mother. On the way she sees the minister, Mr. Miles, and her friend Liff Hyatt. They are on their way to the mountain because Charity\u2019s mother is dying. When they arrive, Charity\u2019s mother is already dead, and the three of them bury her.\nCharity stays on the mountain overnight, where she sees the abject poverty and resolves not to raise her child there. She decides that she is going to be a prostitute, and with the money she earns she will hire someone to take care of her child. On the way home she meets Mr. Royall, who has come to pick her up. He offers to marry her.\nAfter Charity marries Mr. Royall in Nettleton, she realizes that he knows she is pregnant and has married her only to protect her. He gives her money to buy clothes, but instead she goes to Dr. Merkle to get her brooch back. Dr. Merkle has heard of her marriage to Mr. Royall and demands a large sum for returning the brooch. Rather than paying the money, Charity quickly grabs the brooch and rushes from the office (in a few editions of the novel, she leaves the money with Merkle).\nCharity writes a last letter to Harney, telling him about her marriage, and finally returns to North Dormer to live with Mr. Royall.\nQuestion: What did Charity do for her job?"
    },
    "references": [
      {
        "output": {
          "text": "Librarian."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Charity was a librarian and ward of Mr. Royall."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1202"
  },
  {
    "input": {
      "text": "The play is set in Bath in the 18th century, a town that was legendary for conspicuous consumption and fashion at the time. Wealthy, fashionable people went there to \"take the waters\", which were believed to have healing properties. Bath was much less exclusive than London, and hence it provides an ideal setting for the characters.\nThe plot centres on the two young lovers, Lydia and Jack. Lydia, who reads a lot of popular novels of the time, wants a purely romantic love affair. To court her, Jack pretends to be \"Ensign Beverley\", a poor officer. Lydia is enthralled with the idea of eloping with a poor soldier in spite of the objections of her guardian, Mrs. Malaprop, a moralistic widow. Mrs. Malaprop is the chief comic figure of the play, thanks to her continual misuse of words that sound like the words she intends to use, but mean something completely different. (The term malapropism was coined in reference to the character.)\nLydia has two other suitors: Bob Acres (a somewhat buffoonish country gentleman), and Sir Lucius O'Trigger, an impoverished and combative Irish gentleman. Sir Lucius pays Lucy to carry love notes between him and Lydia (who uses the name \"Delia\"), but Lucy is swindling him: \"Delia\" is actually Mrs. Malaprop.\nAs the play opens, Sir Anthony arrives suddenly in Bath. He has arranged a marriage for Jack, but Jack demurs, saying he is in love already. They quarrel violently. But Jack soon learns through the gossip of Lucy and Fag that the marriage arranged by Sir Anthony is, in fact, with Lydia. He makes a great show of submission to his father, and is presented to Lydia with Mrs. Malaprop's blessing. Jack confides to Lydia that he is only posing as Sir Anthony's son. She annoys Mrs. Malaprop by loudly professing her eternal devotion to \"Beverley\" while rejecting \"Jack Absolute\".\nJack's friend Faulkland is in love with Julia, but he suffers from jealous suspicion. He is constantly fretting himself about her fidelity. Faulkland and Julia quarrel foolishly, making elaborate and high-flown speeches about true love that satirise the romantic dramas of the period.\nBob Acres tells Sir Lucius that another man (\"Beverley\") is courting the lady of Acres' choice (Lydia, though Sir Lucius does not know this). Sir Lucius immediately declares that Acres must challenge \"Beverley\" to a duel and kill him. Acres goes along, and writes out a challenge note \u00e2\u0080\u0093 despite his own rather more pacifist feelings, and the profound misgivings of his servant David. Sir Lucius leaves, Jack arrives, and Acres tells him of his intent. Jack agrees to deliver the note to \"Beverley\", but declines to be Acres' second.\nMrs. Malaprop again presents Jack to Lydia, but this time with Sir Anthony present, exposing Jack's pose as \"Beverley\". Lydia is enraged by the puncturing of her romantic dreams, and spurns Jack contemptuously.\nSir Lucius has also learned of the proposed marriage of Jack and Lydia, and determines to challenge Jack. He meets Jack, who, smarting from Lydia's rejection, agrees to fight him without even knowing the reason. They will meet at the same time as Acres is scheduled to fight \"Beverley\".\nAt the duelling ground, Acres is very reluctant to fight, but Sir Lucius will have no shirking. Jack and Faulkland arrive. Acres learns that \"Beverley\" is actually his friend Jack, and begs off from their duel. However, Jack is quite willing to fight Sir Lucius, and they cross swords.\nDavid informs Mrs. Malaprop, Lydia, Julia, and Sir Anthony of the dueling, and they all rush off to stop it. Sir Lucius explains the cause of his challenge, but Lydia denies any connection to him, and admits her love for Jack. Mrs. Malaprop announces that she is Delia, but Sir Lucius recoils in horror, realising that he has been hoaxed. Sir Anthony consoles Mrs. Malaprop, Julia is reconciled to Faulkland, and Acres invites everyone to a party.\nQuestion: What two people does the story center on?"
    },
    "references": [
      {
        "output": {
          "text": "Lydia and Jack."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Jack and Lydia"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1463"
  },
  {
    "input": {
      "text": "(From Conan The Warrior, ISBN 0-441-11465-2)\nThe foreword to the story tells of his travels to Punt with Muriela, refers to a scam perpetrated against worshippers of an ivory goddess and then on to Zembabwei, where he joins a trading caravan on its way to Shem. Around 40 now, Conan visits his homeland and finds his old friends are fathers. Bored, Conan sets off for the Bossonian Marches and becomes a Scout at Fort Tuscelan on the Black River. Naturally, there is a war going on...\nA young settler named Balthus encounters Conan in the forests slaying a forest devil. Accompanying the young man back to the Fort, Conan finds the body of a merchant ensorcelled by a Pictish wizard named Zogar Sag and slain by a swamp demon.\nThe Fort Tuscelan Commander, Valannus, is a desperate man and asks Conan to slay Zogar Sag before he raises the Picts against the whole borderlands. Taking a hand picked team of scouts and Balthus, Conan sets off stealthily in canoes. Balthus is captured and most of Conan's men slaughtered in an ambush.\nBalthus and one of the Scouts are tied to stakes and the scout is sacrificed by Zogar Sag to one of his jungle creatures. Before Balthus can meet a similar fate, Conan sets the Pictish village on fire and the two flee into the woods. Conan tells Balthus of the cult of Jhebbal Sag, now forgotten by most. Once all living things worshipped him when men and beasts spoke the same language. Over time men and most beasts forgot his worship. Zogar Sag has not, however, and can control those few animals and creatures who also remember. And they are on Conan's trail now.\nConan is able to neutralize them using a symbol he once noticed, and the pair hurry to return to the Fort to warn them of the impending Pictish assault, but they are too late. The Picts already are all around the fort, and furious fighting is going on. The number of Picts ensures that eventually the fort will be overwhelmed and the defenders slaughtered. The only thing left to do is warn the settlers to flee while the Picts are busy with the fort - otherwise they will be slaughtered, too.\nConan and Balthus go to warn the settlers that the Picts have crossed the river and are raiding. They are joined by Slasher, a feral dog formerly owned by a settler who had been slain by the Picts. Balthus is sent on to warn settlers of the coming Pict raid, and Conan parts from him to warn a group of settler who had gone to gather salt. Balthus warns women and children to leave their huts and flee. When a band of Picts arrives, who move quicker and might overtake the women, Balthus stays behind to cover their escape. Accompanied by Slasher he makes a stand against the coming Pict raiders, first shooting arrows from concealment and then in a furious face to face battle. The man and dog's sacrifice delays the Picts and gives the settlers time to reach safety. Conan manages to warn the salt-gathering party in time, but finds he has been marked for death by the gods of darkness for misusing the symbol of Jhebbal Sag. In the end Conan triumphs, but the fort is lost, and so is the entire province.\nThe story ends in a tavern. A survivor tells Conan about the courageous act of Balthus and Slasher, and how their final stand had delayed the Picts just barely long enough for the settlers to reach safety. Upon hearing of the fight, Conan vowed to take the heads of ten Picts to pay for Balthus' sacrifice, along with seven heads for the dog, who was \"a better warrior than many a man.\"\nQuestion: Why is Conan marked for death by the gods of darkness?"
    },
    "references": [
      {
        "output": {
          "text": "He misused the symbol of Jhebbal Sag."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "He missued the symbol of Jhebbal Sag"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1112"
  },
  {
    "input": {
      "text": "The Cossacks is believed to be somewhat autobiographical, partially based on Tolstoy's experiences in the Caucasus during the last stages of the Caucasian War. Tolstoy had a morally corrupt experience in his youth, engaging in numerous promiscuous partners, heavy drinking and gambling problems; many argue Tolstoy used his own past as inspiration for the protagonist Olenin.\nDisenchanted with his privileged life in Russian society, nobleman Dmitri Olenin joins the army as a cadet, in the hopes of escaping the superficiality of his daily life. On a quest to find \"completeness,\" he naively hopes to find serenity among the \"simple\" people of the Caucasus. In an attempt to immerse himself in the local culture, he befriends an old man. They drink wine, curse, and hunt pheasant and boar in the Cossack tradition, and Olenin even begins to dress in the manner of a Cossack. He forgets himself and falls in love with the young Maryanka, in spite of her fianc\u0102\u0160 Lukashka. While spending life as a Cossack, he learns lessons about his own inner life, moral philosophy, and the nature of reality. He also understands the intricacies of human psychology and nature.The young idealist Dmitriy Olenin leaves Moscow, hoping to start a new life in the Caucasus. In the stanitsa, he slowly becomes enamored by the surroundings and despises his previous existence. He befriends the old Cossack Eroshka, who goes hunting with him and finds him a good fellow because of his propensity to drinking. During this time, young Cossack Luka kills a Chechen who is trying to come across the river towards the village to scout the Cossacks and in this way gains much respect. Olenin falls in love with the maid Maryanka, who is to be wed to Luka later in the story. He tries to stop this emotion and eventually convinces himself that he loves both Luka and Maryanka for their simplicity and decides that happiness can only come to a man who constantly gives to others with no thought of self-gratification.\nHe first gives an extra horse to Luka, who accepts the present yet doesn't trust Olenin on his motives. As time goes on, however, though he gains the respect of the local villagers, another Russian named Beletsky, who is still attached to the ways of Moscow, comes and partially corrupts Olenin's ideals and convinces him through his actions to attempt to win Maryanka's love. Olenin approaches her several times and Luka hears about this from a Cossack, and thus does not invite Olenin to the betrothal party. Olenin spends the night with Eroshka but soon decides that he will not give up on the girl and attempts to win her heart again. He eventually, in a moment of passion, asks her to marry him, which she says she will answer soon.\nLuka, however, is severely wounded when he and a group of Cossacks go to confront a group of Chechens who are trying to attack the village, including the brother of the man he killed earlier. Though the Chechens lose after the Cossacks take a cart to block their bullets, the brother of the slain Chechen manages to shoot Luka in the belly when he is close by. As Luka seems to be dying and is being cared for by village people, Olenin approaches Maryanka to ask her to marry him; she angrily refuses. He realizes that \"his first impression of this woman's inaccessibility had been perfectly correct.\" He asks his company commander to leave and join the staff. He says goodbye to Eroshka, who is the only villager who sees him off. Eroshka is emotional towards Olenin but after Olenin takes off and looks back, he sees that Eroshka has apparently already forgotten about him and has gotten back to normal life.\nQuestion: Who is the only villager who comes to see Olenin for his departure?"
    },
    "references": [
      {
        "output": {
          "text": "Eroshka."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Eroshka."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1293"
  },
  {
    "input": {
      "text": "The novel takes place in the fictional town of Socartes, Spain. The town's name refers to the philosopher Socrates and his ideas about internal and external beauty. It tells the story of Marianela (sometimes referred to as \"Nela\"), a poor orphan girl with an ugly face, and her love for Pablo, a blind boy, who has feelings for Nela as well. Marianela frequently sings to Pablo, and he believes she is beautiful because of her voice. Pablo's father asks a famous doctor, named Teodoro Golfin, to come and examine Pedro to see if his sight can be restored. Pablo, full of hope at the prospect, promises La Nela that he will marry her after the operation if it is successful. He is convinced that La Nela is beautiful, even when she tells him otherwise. In the meantime, Pablo's father plans for Pablo to marry his beautiful cousin, Florentina, but tells neither of them about it. Florentina comes to Socartes and when Marianela first sees her, she mistakes her for the Virgin Mary because of her beauty. When Florentina is out walking with Pablo and Marianela, she expresses her pity for La Nela because she is poor, abandoned and nobody loves her. She vows to take charge of Nela and clothe, educate her, and have La Nela live with her like a sister.\nPablo eventually gets the operation that gives him his sight. Before seeing Nela, he sees Florentina and proposes to her instead. Because of this, Nela attempts suicide but is saved by Teodoro Golf\u0102\u00adn, the eye doctor who cured Pedro. He and Florentina take Nela to Pablo's villa and take care of her while she is hiding away from Pablo because of her looks. Then, due to Pablo's desire to see her, Pablo finds his way to La Nela's room and serenades Florentina. He then sees La Nela in bed and confuses her for \"just a poor girl who Don Teodoro took in from the street.\" La Nela then admits it is she and kisses his hand three times. Upon the third kiss, she dies of a broken heart and leaves Pablo distraught.\nQuestion: Who does Nela believe Florentina is when she first sees het?"
    },
    "references": [
      {
        "output": {
          "text": "The Virgin Mary."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "The Virgin Mary"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1256"
  },
  {
    "input": {
      "text": "The film is set in Bailey Downs, a suburb where a rash of dog killings has been occurring. Brigitte and Ginger Fitzgerald are teenage sisters who harbor a fascination with death and, as children, formed a pact to die together. One night, while on the way to kidnap a dog owned by school bully Trina Sinclair, Ginger begins her first period, which results in the girls being attacked by the creature responsible for the maulings. The creature wounds and bites Ginger, but Brigitte rescues her. As the girls flee, the creature is run over by a van belonging to Sam MacDonald, a local drug dealer. Ginger decides not to go the hospital as her wounds heal quickly.\nFollowing the attack, Ginger undergoes physical and mental transformations that concern Brigitte. Ginger starts to behave aggressively and grow hair from her wounds, sprouts a tail, and heavily menstruates. Ignoring Brigitte's warnings, Ginger has unprotected sex with a classmate named Jason and kills a neighbor's dog. Brigitte and Sam agree that Ginger was attacked by a werewolf and is in the process of turning into one. On Sam's advice, Brigitte persuades Ginger to have her navel pierced using a silver ring in the hopes of curing her. Instead, it proves ineffective. Sam then suggests a monkshood solution, which is not possible as the plant is only found in the spring.\nLater, Trina shows up at the Fitzgerald house to accuse Ginger of kidnapping her dog. As she fights with Ginger, Trina is accidentally killed when she slips and hits her head on the kitchen counter. The sisters narrowly avoid their parents as they put the body in a freezer, explaining the blood to be part of another school project. Brigitte accidentally breaks off two of Trina's fingers while trying to get the corpse from the freezer. They lose the fingers when they bury Trina's body. Brigitte tells Ginger she can't go out anymore, but Ginger remains defiant.\nOn Halloween, Brigitte takes monkshood purchased by her mother and asks Sam to make the cure. While trying to track down Ginger, Brigitte is attacked by Jason (who was infected by Ginger due to unprotected sex) and she defends herself by using the cure on him. She witnesses his immediate change in behavior, which proves the cure's success. At school, Brigitte finds that Ginger has murdered the guidance counselor, Mr. Wayne, and is a witness to her killing of the school's janitor.\nThe girls' mother discovers Trina's corpse and goes looking for her daughters. While she is looking for them, she sees Brigitte running and picks her up. As she drives Brigitte to the Greenhouse Bash, she tells her that she will burn the house down by letting it fill up with gas then lighting a match to erase evidence of Trina's death. Brigitte arrives to find Sam rejecting Ginger's advances. As he approaches Ginger, she breaks his arm. In despair, Brigitte infects herself as Sam pleads with her not to. As the sisters leave, Sam knocks Ginger out with a shovel. Brigitte and Sam then take her back to the Fitzgerald house in his van, and prepare more of the cure for Ginger.\nGinger fully transforms into a werewolf on the way home and escapes the van. Aware that she has transformed, Sam and Brigitte hide in the pantry as he makes the cure. When he goes to find Ginger, Ginger mutilates Sam. Brigitte picks up the dropped syringe and follows the blood trail downstairs. After finding an injured and bloody Sam she tries to save him by drinking his blood in an attempt to calm Ginger, but can't go through with it. Ginger sees Brigitte's revulsion and kills Sam in front of her by biting him in the jugular.\nAs Ginger stalks Brigitte through the basement, Brigitte returns to the room where they grew up. Finding the knife that Ginger had been using to remove her tail, Brigitte holds the cure in one hand and the knife in the other. Ginger lunges at her, becoming fatally stabbed with the knife. Brigitte lays her head upon her dying sister's chest and sobs.\nQuestion: How is Jason infected?"
    },
    "references": [
      {
        "output": {
          "text": "He had unprotected sex with Ginger."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "unprotected sex"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1499"
  },
  {
    "input": {
      "text": "On the hot, humid ocean world of Xecho Dane Thorson has just finished his part in preparing the Free Trader (i.e. tramp freighter) Solar Queen to begin her run on an interstellar mail route. While waiting for the ship they are to relieve on the route, Dane, Captain Jellico, and Medic Craig Tau are invited to visit Xecho\u2019s sister planet, Khatka, by Chief Ranger Kort Asaki. A jungle world originally settled thousands of years before by native-African refugees from one of Earth\u2019s atomic wars, Khatka is a safari world, essentially a giant hunting ground where big-game hunters come to try their skill against large, dangerous animals.\nOn Khatka the three starmen discover that Ranger Asaki is being undermined by a witch doctor named Lumbrilo. During a ceremony in which Lumbrilo has disguised himself as the local version of a lion, Medic Tau, who has studied magic on many worlds, conjures the image of an elephant, thereby earning Lumbrilo\u2019s enmity.\nOn a visit to see Zoboru, a new, no-kill preserve, the three starmen, Ranger Asaki, and the flitter pilot are stranded in the jungle when their flitter crashes. The men must walk back to their base while avoiding encounters with Khatka\u2019s dangerous fauna. One such encounter tells them that they are being tracked and herded by Lumbrilo.\nIn a deadly swamp the men come to a camp occupied by a small team of poachers. There Tau confronts Lumbrilo, turns his magic back on him, and sends him screaming into the jungle, thereby solving Ranger Asaki\u2019s problem. Captain Jellico and his men then return to the Solar Queen for what they hope will be a nice quiet mail run.\nQuestion: Khatha is what sort of world?"
    },
    "references": [
      {
        "output": {
          "text": "Jungle world."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "a safari world "
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1419"
  },
  {
    "input": {
      "text": "On the night of an undercard fight in Atlantic City, Micky's scheduled opponent is ill, and a substitute is found who is 20 pounds heavier than Micky, a huge difference in professional boxing, constituting two or three weight classes. Despite Micky's reservations, his mother and brother agree so that they can all get the purse and Micky is defeated. Micky retreats from the world and forms a relationship with Charlene Fleming, a former college athlete who dropped out and became a bartender.\nAfter several weeks, Alice arranges another fight for Micky, concerned it will turn out the same. His mother and seven sisters blame Charlene for his lack of motivation. Micky mentions he received an offer to be paid to train in Las Vegas, but Dicky says he will match the offer so he can keep training and working with his family. Dicky then tries to get money by posing his girlfriend as a prostitute and then, once she picks up a client, impersonating a police officer to steal the client's money. This is foiled by the actual police and Dicky is arrested after a chase and a fight with them. Micky tries to stop the police from beating his brother and a police officer brutally breaks his hand before arresting him. At their arraignment, Micky is released, but Dicky is sent to jail. Micky washes his hands of Dicky.\nOn the night of the HBO documentary's airing, Dicky's family, and Dicky himself in prison, are horrified to see it is called Crack in America how crack addiction ruined Dicky's career and life. Dicky begins training and trying to get his life together in prison. Micky is lured back into boxing by his father, who believes Alice and his stepson Dicky are bad influences. The other members of his training team and a new manager, Sal Lanano, persuade Micky to return to boxing with the explicit understanding that his mother and brother will no longer be involved. They place Micky in minor fights to help him regain his confidence. He is then offered another major fight against an undefeated up-and-coming boxer. During a prison visit, Dicky advises Micky on how best to work his opponent, but Micky feels his brother is being selfish and trying to restart his own failed career. During the actual match, Micky is nearly overwhelmed, but then implements his brother's advice and triumphs; he earns the title shot for which his opponent was being groomed.\nUpon his release from prison, Dicky and his mother go to see Micky train. Assuming things are as they were, Dicky prepares to spar with his brother, but Micky informs him that he's no longer allowed per Micky's agreement with his current team. In the ensuing argument, in which Micky chastises both factions of his family, Charlene and his trainer leave in disgust. Micky and Dicky spar until Micky knocks Dicky down. Dicky storms off, presumably to get high again, and Alice chides Micky, only to be sobered when he tells her that she has always favored Dicky. Dicky returns to his crack house, where he says goodbye to his friends and heads to Charlene's apartment. He tells her that Micky needs both of them and they need to work together. After bringing everyone back together, the group goes to London for the title fight. Micky scores another upset victory and the welterweight title. The film jumps a few years ahead, with Dicky crediting his brother as the creator of his own success.\nQuestion: What does Dicky's family realize to be the destroyer in Dicky's life and career after seeing a documentary on HBO?"
    },
    "references": [
      {
        "output": {
          "text": "Crack"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Crack."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "valid",
    "id": "id1103"
  },
  {
    "input": {
      "text": "Despite a warning received in the Suq by an elderly desert nomad, Conan stays the night in a cheap tavern in Zamboula, run by Aram Baksh. As night falls, a black Darfarian cannibal enters Conan's small chamber by means of a trick lock to drag him away to be eaten. All of the Darfarian slaves in the city are cannibals who roam the streets at night. As they only prey on travelers, the people of the city tolerate this and stay locked securely in their homes, while nomads and beggars make sure to spend the night at a comfortable distance from its walls. Even worse, Aram Baksh has made a deal with the cannibals - he provides them \"fresh meat,\" while he profits from the belongings of the ill-fated guests of his inn. This night, however, the unfortunate Darfarian attempts to prey on an armed and wary Conan, and pays with his life. Realizing the trap his room is, Conan takes to the Zamboulan streets where he soon runs into a naked woman chasing through the streets after her deranged lover; Conan rescues them from an attack by the cannibals. She tells him that she tried to secure her lover's unending affection via a love potion which instead made a raving lunatic of him. Suggestively promising Conan \"a reward\" in return for his assistance, they attempt to kill the high priest responsible for the man's madness.\nThe woman is captured in the attempt, and forced - via hypnotism - to dance before the High priest until she dies. Conan, defeating - quite literally - the strangler Baal-pteor at his own game, rescues her and kills the priest. At the point of claiming his payment, however, she reveals that she is really Nafertari, mistress to the satrap of the city, Jungir Khan (the mad man). Taking an antidote to Jungir, she promises Conan position and wealth.\nConan, however, leaves the city and reveals to the reader that he had recognised them almost immediately. He takes his revenge on the tavern owner Aram Baksh by cutting out his tongue and shearing off his beard to render him mute and unrecognizable, and turning him over to the hungry cannibals to devour - one of the most profound displays of Conan's ironic sense of humor - and leaves the city with gold and the magic ring that started the night's intrigues (and which Conan had stolen from the mad Jungir on their first encounter), with the intent to sell it to another interested party.\nQuestion: What is Conan going to do with the magic ring now?"
    },
    "references": [
      {
        "output": {
          "text": "sell it to someone else."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Sell it. "
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1331"
  },
  {
    "input": {
      "text": "Mayre Griffiths, nicknamed Trot, or sometimes Tiny Trot, is a little girl who lives on the coast of southern California. Her father is the captain of a sailing schooner, and her constant companion is Cap'n Bill Weedles, a retired sailor with a wooden leg. (Cap'n Bill had been Trot's father's skipper, and Charlie Griffiths had been his mate, before the accident that took the older man's leg.) Trot and Cap'n Bill spend many of their days roaming the beaches near home, or rowing and sailing along the coast. One day, Trot wishes that she could see a mermaid; her wish is overheard, and granted the next day. The mermaids explain to Trot, and the distressed Cap'n Bill, that they are benevolent fairies; when they offer Trot a chance to pay a visit to their land in mermaid form, Trot is enthusiastic, and Bill is too loyal to let her go off without him.\nSo begins their sojourn among the sea fairies. They see amazing sights in the land of Queen Aquarine and King Anko (including an octopus who is mortified to learn that he's the symbol of the Standard Oil Company). They also encounter a villain called Zog the Magician, a monstrous hybrid of man, animal, and fish. Zog and his sea devils capture them and hold them prisoner. The two protagonists discover that many sailors thought to have been drowned have actually been captured and enslaved by Zog. Trot and Cap'n Bill survive Zog's challenges, and the villain is eventually defeated by the forces of good. Trot and Cap'n Bill are returned to human form, safe and dry after their undersea adventure.\nAs many readers and critics have observed, Baum's Oz in particular and his fantasy novels in general are dominated by puissant and virtuous female figures; the archetype of the father-figure plays little role in Baum's fantasy world. The Sea Fairies is a lonely exception to this overall trend: \"The sea serpent King Anko...is the closest approximation to a powerful, benevolent father figure in Baum's fantasies.\"\nQuestion: What was the symbol of the Standard Oil Company?"
    },
    "references": [
      {
        "output": {
          "text": "An octopus"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "An octopus."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1410"
  },
  {
    "input": {
      "text": "Froudacity is split into four books, each addressing specific topics that Froude brings. Thomas begins the preface by attacking the overarching claims that Froude uses to argue against self-governance. Thomas ridicules Froude's assertion that if blacks in West Indian countries were given the right to vote, they would elect a candidate that would strip away the rights of whites due to racial animosity. He also attacks the notion that West Indian blacks harbor animosity against whites by pointing out that as many blacks owned slaves as whites, and that most people who were alive during slavery have since died.\nIn Book I Thomas addresses Froude's claims in the early portions of The English in the West Indies. Froude's tendency to state incorrect assumptions as fact is roundly assaulted. Thomas criticizes Froude for making sweeping generalizations about the condition of blacks on multiple islands without ever talking or interacting with the people he was writing about. Thomas points out that Froude comments extensively on the lifestyles of the natives of Grenada when his only experience among the natives was peering into their houses as he rode past in a carriage. Thomas attacks many other different factual inaccuracies in Froude's work.\nIn Book II Thomas begins to directly address Froude's criticism of giving colonies self-rule. When Froude claims that leaders of the reform movements \"did not complain that their affairs had been ill-managed\" Thomas spends over two dozen pages detailing the gross abuses of power and corruption that many of the appointed governors of Trinidad have participated in. Thomas also debunks Froude's claim that the reformers pushed for reform in the hope that they would be elected and allowed to draw a handsome government salary. Thomas also points out that contrary to Froude's claims the reform movement has been active for decades. Thomas finishes the second book by refuting Froude's assertion that West Indian blacks were incredibly well taken care off by \"the beneficent despotism of the English Government\"\nThe 3rd book takes up half of Froudacity. It begins with Froude alleging that there are few black intellectuals. Thomas responds by accusing the West Indian governments of suppressing blacks and noting that many black intellectuals sprang up in America shortly after Emancipation because they were integrated into society. Thomas uses the examples of Fredrick Douglass and Chief Justice William Conrad Reeves extensively in his arguments about race and intelligence. Both men are black and highly successful. Thomas uses these men as examples of successful black intellectuals, who succeeded despite racism. Thomas convincingly counters Froude's cheerful view of slavery. Thomas continues to contest Froude's multiple accusations about the results of black ruling over whites and what the ideal governance situation is for the West Indies. When Froude brings up the old stereotypes of blacks being lazy, or being cannibals or devil-worshipers, Thomas quickly counters all of the accusations. Thomas goes on to note the rising prominence of Christianity among blacks, and engages in a discussion on the limits of science and religion.\nIn the final 4th book, Thomas discusses the history of blacks instead of analyzing The English in the West Indies. Thomas discusses the history of the development slavery in America and in the West Indies. Thomas details how slave owners in the West Indies became god-parents to their slaves through the Catholic Church, and through this process developed personal relationships with slaves devoid of cruelty. The institutions of slavery developed very differently in America and the West Indies. Thomas lists the great accomplishments achieved by the \"Negro Race\", predicting that these accomplishments will continue growing. Thomas encourages \"African descendants now dispersed in various countries of the Western Hemisphere ... at sufficient peace to begin occupying themselves about matters of racial importance\".\nQuestion: Who regulary critiques Froude's claims?"
    },
    "references": [
      {
        "output": {
          "text": "Thomas"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "thomas"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1516"
  },
  {
    "input": {
      "text": "Brandon Lang (McConaughey) is a former college football star who, after sustaining a career-ending injury, takes a job handicapping football games. His success at choosing winners catches the eye of Walter Abrams (Pacino), the slick head of one of the biggest sports consulting operations in the United States. Walter takes Brandon under his wing, and soon they are making tremendous amounts of money.\nLang's in-depth knowledge of the game, leagues and players brings in big winnings and bigger clients. Abrams' cable television show, The Sports Advisors, skyrockets in popularity when he adds Lang's slick \"John Anthony\" persona to the desk, infuriating Jerry Sykes (Jeremy Piven), who up to now has been Walter's in-house expert. Lang's total image is remade \u00e2\u0080\u0094 new car, new wardrobe and a new look with the assistance of Walter's wife, Toni (Russo), a hair stylist.\nThings suddenly go south, however, when Lang begins playing his hunches instead of doing his homework. He loses his touch and is even physically assaulted by the thugs of a gambler (Armand Assante) who lost a great deal of money following Lang's advice. Lang and Abrams' once-solid relationship sours.\nLang's new high-rolling lifestyle depends entirely on his ability to predict the outcomes of the games. Millions are at stake by the time he places his last bet, and Abrams grows increasingly unstable. (Abrams is a recovering gambling addict and alcoholic, among other things. Toni tells Lang early on that Walter's life is \"held together by meetings; if there's an 'anonymous' at the end of it, he goes. He has to.\"). He secretly begins gambling all of his own money on Lang's picks and becomes suspicious that Lang is having an affair with his wife.\nThe film concludes with Lang's predictions coming true for the last game, both of which he allegedly determines by flipping coins in a bathroom, as he leaves New York and takes a job as coach of a junior league football team.\nQuestion: Who assaulted Lang?"
    },
    "references": [
      {
        "output": {
          "text": "Thugs of the gambler Armand Assante."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Thugs of a gambler"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1449"
  },
  {
    "input": {
      "text": "Following his graduation from university in 1956, aspiring filmmaker Colin Clark (Eddie Redmayne) travels to London to get a job on Laurence Olivier's (Kenneth Branagh) next production. Production manager Hugh Perceval (Michael Kitchen) tells Colin that there are no jobs available, but he decides to wait for Olivier, whom he once met at a party. Olivier and his wife, Vivien Leigh (Julia Ormond), eventually show up and Vivien encourages Olivier to give Colin a job on his upcoming film The Prince and the Showgirl, starring Marilyn Monroe (Michelle Williams). Colin's first task is to find a suitable place for Marilyn and her husband, Arthur Miller (Dougray Scott), to stay at while they are in England. The press find out about the house, but Colin reveals he secured a second house just in case, impressing Olivier and Marilyn's publicist, Arthur P. Jacobs (Toby Jones).\nThe paparazzi find out about Marilyn's arrival at Heathrow and they gather around the plane when it lands. Marilyn brings her husband, her business partner, Milton H. Greene (Dominic Cooper), and her acting coach Paula Strasberg (Zo\u0102\u0164 Wanamaker) with her. She initially appears to be uncomfortable around the many photographers, but relaxes at the press conference. Olivier becomes frustrated when Marilyn is late to the read-through. She insists Paula sits with her and when she has trouble with her lines, Paula reads them for her. The crew and the other actors, including Sybil Thorndike (Judi Dench), are in awe of Marilyn. Colin meets Lucy (Emma Watson), a wardrobe assistant to whom he is attracted, and they go on a date. Marilyn starts arriving later to the set and often forgets her lines, angering Olivier. However, Sybil praises Marilyn and defends her when Olivier tries to get her to apologise for holding the shoot up.\nMarilyn struggles to understand her character and leaves the set when Olivier insults her. Colin asks the director to be more sympathetic towards Marilyn, before he goes to Parkside House to check on her. He hears an argument and finds a tearful Marilyn sitting on the stairs with Arthur's notebook, which contains the plot of a new play that appears to poke fun at her. Arthur later returns to the United States. Vivien comes to the set and watches some of Marilyn's scenes. She breaks down, saying Marilyn lights up the screen and if only Olivier could see himself when he watches her. Olivier tries unsuccessfully to reassure his wife. Marilyn does not show up to the set following Arthur's departure and she asks Colin to come to Parkside and they talk. The crew becomes captivated by Marilyn when she dances for a scene and Milton pulls Colin aside to tell him Marilyn breaks hearts and that she will break his too. Lucy also notices Colin's growing infatuation with Marilyn and breaks up with him.\nColin and Marilyn spend the day together and are given a tour of the library of Windsor Castle by Owen Morshead (Derek Jacobi). Colin also shows Marilyn around Eton College, and they go skinny dipping in the River Thames. Marilyn kisses Colin and they are found by Roger Smith (Philip Jackson), Marilyn's bodyguard. Colin is called to Parkside one night as Marilyn has locked herself in her room. Colin enters her room and Marilyn invites him to lie next to her on the bed. The following night, Marilyn wakes up in pain and claims she is having a miscarriage. A doctor tends to her and Marilyn tells Colin that Arthur is coming back and she wants to try and be a good wife to him, so she and Colin should forget everything that happened between them. She later returns to the set to complete the film. Olivier praises Marilyn, but reveals she has killed his desire to direct again. Lucy asks Colin if Marilyn broke his heart and he replies that she did, to which she replies that he needed it. Marilyn comes to a local pub, where Colin is staying, and thanks him for helping her. She kisses him goodbye and Roger drives her to the airport.\nQuestion: Who defends Marilyn when Olivier tries to make her apologize for being late?"
    },
    "references": [
      {
        "output": {
          "text": "Sybil Thorndike"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Sybil."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1411"
  },
  {
    "input": {
      "text": "Charley Brewster is a teenager living in a suburb of Las Vegas, Nevada, who discovers that a new neighbor has moved in next door. Charley's old best friend, Edward \"Evil Ed\" Lee, informs him that many students have gone missing, including their other childhood friend, Adam Johnson. When Charley goes home after school, his mother, Jane, introduces him to Jerry Dandrige, their new neighbor. Fed-up and angry with Ed after he claims that Jerry is a vampire, Charley tells him that he's crazy and that he doesn't want to be friends anymore.\nOn his way home, Ed is confronted by Jerry, who claims that he has been watching Ed and has been aware of Ed watching him. Jerry soon chases Ed into a nearby pool and convinces him into believing that his life would be much better if he was a vampire. Ed succumbs and willingly allows Jerry to bite him. The next day, Charley realizes that Ed is missing and decides to investigate, starting to believe Ed's claims when he discovers video recordings of objects moving on their own, with Ed's voiceover revealing that he is recording Jerry to prove that his reflection doesn't show up in recordings. As Jerry begins to attack more people throughout the neighborhood, Charley sneaks into Jerry's house and finds out that he keeps his victims in secret rooms. Charley goes to Las Vegas magician Peter Vincent, a supposed expert on vampires. Peter doesn't take him seriously, and kicks him out.\nJerry comes to Charley's house and sets fire to it. Charley, Jane, and his girlfriend, Amy Peterson, flee through the desert in their minivan. Jerry catches up with them, but is wounded by Jane with a real estate sign stake. Jane is admitted to a hospital, where Charley is summoned by Peter. Upon arriving at Peter's penthouse Ed turns up. By now Ed has been fully transformed into a vampire and he aids Jerry in attacking Charley, Amy, and Peter. As they fight, Ed lets all of his anger out on his opponent and Charley reluctantly kills Ed. Meanwhile, Amy injures Jerry with holy water. They then run into a club, where they get separated in the crowd. Amy is kissed, bitten, and possessed by Jerry, who proceeds to take her.\nPeter refuses to help Charley and reveals that both of his parents were killed by a vampire (later revealed to be Jerry himself). He does, however, give Charley a stake blessed by Saint Michael that will kill Jerry and turn all of his victims back into humans. Charley goes to Jerry's house where Peter decides to join him after all.\nThey are led into Jerry's basement, where they are attacked by many of Jerry's victims, including Amy. Charley confronts Amy and she explains how they can be with each other forever. Just as she is about to bite Charley he stabs her, missing the heart and then escaping. Meanwhile, Peter is ambushed by Jerry and many of his victims. Peter is able to kill a few before his weapon backfires. Charley returns to the basement only to see Peter being fed on by the remaining vampires. He decides to shoot holes in the roof, from which sunlight shines in and kills them. The patch of sunlight guards both Charley and Peter from the vampires who had not been destroyed. Jerry appears, explaining that Charley's quest is in fact over. Charley, having outfitted himself in a flame-retardant suit, has Peter light him on fire and tackles Jerry just as Amy is feeding off him. A struggle between the two ensues while the other vampires watch. Peter assists him by shooting another hole in the floor above to allow sunlight in. This burns Jerry, and Peter tosses Charley the stake he had dropped.\nCharley quickly stabs Jerry in the heart, killing him and returning his victims to their human form. Afterwards, Charley's mother recovers from the hospital and goes to shop for a new house as Charley and Amy have sex in Peter's penthouse.\nQuestion: Who suspects Jerry of being a vampire in the first place?"
    },
    "references": [
      {
        "output": {
          "text": "Charley's old best friend, Ed. "
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Ed."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1495"
  },
  {
    "input": {
      "text": "The Revenge tells the story of Clermont D'Ambois, the brother of the dead Bussy. Unlike the ruthless Bussy, Clermont is a Christian Stoic. Clermont is a follower of the Duc de Guise, a powerful nobleman\u00e2\u0080\u0094though this relationship breeds suspicion in the King, who is urged on by the political manipulator Baligny. (Malicious characters in the play see Clermont's devotion to the Guise in homoerotic terms; but the stoical Clermont prefers relations with men over those with women, precisely because they are asexual.) Eventually the Guise is assassinated, and Clermont commits suicide. A subplot involves the relationship between Clermont and Tamyra, Bussy's former lover; Tamyra urges Clermont to take vengeance on her husband Montsurry, the agent of Bussy's destruction. The cowardly Montsurry manages to avoid a confrontation with Clermont through most of the play; but in the final Act, Bussy's ghost rises to tell Clermont that divine justice demands the punishment of Montsurry. Clermont finally persuades Montsurry to face him on the field of honor and accept his death.\nThe Stoic nature of the play extends beyond the values and worldview of the character Clermont. In The Revenge of Bussy D'Ambois, even more so than in other Chapman plays, events are reported rather than enacted, and little actually happens on stage. This has prevented the play from earning itself a significant stage history.\nQuestion: How does Clermont pass away?"
    },
    "references": [
      {
        "output": {
          "text": "He commits suicide. "
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "suicide"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1445"
  },
  {
    "input": {
      "text": "October 17, 1984: It is late morning in Chicago's Uptown neighborhood where a sting operation is taking place. Sergeant Eddie Cusack (Chuck Norris) and his crack team of Chicago Police detectives take their positions, including Lieutenant Kobas (Joseph Kosala), stationed on a rooftop with Detectives Brennan (Ron Dean) and Music (Gene Barge) as lookouts, along with alcoholic Detective Cragie (Ralph Foody) and rookie Nick Kopalas (Joseph Guzaldo) in a cemetery. An undercover informant is about to meet a buyer at an 'L (or \"el\")' train stop. Cusack and partner Dorato (Dennis Farina) use a garbage truck to patrol beneath the train tracks.\nThe carefully orchestrated sting is a basic meet-and-greet exchange set up by cocaine supplier Victor Comacho (Ron Henriquez). Victor is the younger brother of Luis Comacho (Henry Silva), leader of a vicious drug gang known as the Comachos. Everything goes horribly wrong when a rival gang led by mafia drug lord Tony Luna (Mike Genovese) infiltrates the sting as a crew of painters and mercilessly guns down the attendees. After money and cocaine are exchanged, the aftermath is grim; Cusack's informant is dead and Dorato is wounded. Kopalas is also eyewitness as Cragie accidentally guns down a teenager, then plants his backup weapon on the victim.\nKopalas is partnered with Cusack, with Cragie put on a desk until a department hearing. Commander Kates (Bert Remsen) expresses disgust with the outcome of the sting, while Eddie notes that the Comachos won't take the hit on their gang lightly. Kates agrees. He releases Eddie with one warning: \"Find who burned the Comachos before they do.\"\nAfter learning that one of his gang members was shot by police, and that Victor Comacho survived, Tony Luna decides to leave town. He asks Lou Gamiani (Lou Damiani) to have someone guard his daughter, Diana Luna (Molly Hagan), a young artist. Gamiani feels he has put the entire outfit at risk.\nApart from breaking in a new partner, and the introduction of the new Prowler police three-axle robot, Eddie is shunned by other officers for his refusal to sign a petition to have Cragie cleared. He bluntly tells Brennan: \"If Cragie doesn't get off the streets, he's gonna kill somebody else, or get somebody killed.\"\nTailing Gamiani to the Lincoln Park Zoo, the detectives witness a tense exchange between him and Diana. Cusack discovers who Diana's father is. He and Kopalas stake out the Luna residence as the Comacho funeral procession comes through the neighborhood. They visit Tony Luna's uncle, Felix Scalese (Nathan Davis), to request he stop the imminent conflict.\nResponding to a DOA call in Lincoln Park, Brennan and Music identify the victim, who had been given a \"Colombian Necktie\", as Tony Luna's bag man. Brennan notes another call to Luna's restaurant, where the officers found the mutilated owner hanging from a meat hook. A car lot run by Tony Luna is firebombed and the owner burned alive. A vicious gang war has begun.\nPosing as food vendors, the Comachos brutally gun down every member of the Luna household. Cusack, knowing they will go after Diana to bring Luna out of hiding, tries to get to her first. Gamiani is stabbed to death. Cusack and Kopalas arrive on the scene. Cusack takes off after Diana, who is being chased by several Comacho gang members. In an alley. Cusack surprises them at gunpoint. One takes Diana hostage with a knife, but Cusack disarms the three remaining suspects and goes after the one with the girl. He follows them to the Randolph/Wells (CTA) elevated station and boards a train. A standoff ensues, leading to a fight on the roof of the eight-car train. At a bridge crossing, the gang member jumps into the Chicago River, where he is run over by a speedboat.\nCusack then places Diana in a safe house with his old friend Pirelli (Allen Hamilton), a retired Chicago police officer who was the partner of Cusack's father. At a hearing, Kopalas decides to back Cragie's story. Other officers resent Cusack for his testimony, where it is revealed that he once documented a transfer order to have Cragie transferred out of his unit. Hence, a \"Code of Silence\" is in effect against Cusack, with his only confidant being Detective Dorato.\nPirelli ends up dead and Diana missing. Cusack races toward the Comacho hangout and puts out a radio call for backup, but due to the hearing, other officers refuse to respond. He fights off Luis and other Comacho gang members by himself. Luis tells Cusack he wants Tony Luna, otherwise Diana dies, painfully and slowly.\nDorato tips off Cusack that Tony Luna was lying low in Wisconsin, returning to Chicago that night by train. Eddie waits outside the station, watching as Luna climbs into Scalese's limousine. Scalese chastises his nephew for igniting a gang war. The driver notices Cusack following and a wild chase ensues. The limo strikes a stalled car and overturns onto its roof, with Luna and Scalese killed in the explosion. Cusack, in need of a partner, returns to police headquarters and retrieves the Prowler robot, single-handedly launching a full-scale attack on the Comachos' lair in East Chicago, Indiana.\nOther detectives berate Cusack for his actions. Kopalas, fed up, tells everyone off and confronts Cragie, stating that he will no longer lie for him. He reveals to the squadroom that Cragie planted the gun on the teen he killed.\nCusack takes down the remaining Comacho members. Luis, wounded, enters a bathroom where Diana is bound. He raises a hammer, but Cusack shoots and kills him.\nBackup arrives at last. Cusack places Diana in the care of the CFD ambulance crew. Commander Kates asks will he come in the next day, and Cusack, finally having regained the respect from his fellow officers, agrees. Dorato gives him a ride back to headquarters.\nQuestion: What is the name of the robot that Cusack retrieves?"
    },
    "references": [
      {
        "output": {
          "text": "Prowler."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "The Prowler robot."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1507"
  },
  {
    "input": {
      "text": "Moll's mother is a convict in Newgate Prison in London who is given a reprieve by \"pleading her belly,\" a reference to the custom of staying the executions of pregnant criminals. Her mother is eventually transported to America, and Moll Flanders (not her birth name, she emphasises, taking care not to reveal it) is raised until adolescence by a goodly foster mother. Thereafter she gets attached to a household as a servant where she is loved by both sons, the elder of whom convinces her to \"act like they were married\" in bed. Unwilling to marry her, he persuades her to marry his younger brother. After five years of marriage, she then is widowed, leaves her children in the care of in-laws, and begins honing the skill of passing herself off as a fortuned widow to attract a man who will marry her and provide her with security.\nThe first time she does this, her \"gentleman-tradesman\" spendthrift husband goes bankrupt and flees to the Continent, leaving her on her own with his blessing to do the best she can to forget him. (They had one child together, but he died.) The second time, she makes a match that leads her to Virginia with a kindly man who introduces her to his mother. After three children (one dies), Moll learns that her mother-in-law is actually her biological mother, which makes her husband her half-brother. She dissolves their marriage and after continuing to live with her brother for three years, travels back to England, leaving her two children behind, and goes to live in Bath to seek a new husband.\nAgain she returns to her con skills and develops a relationship with a man in Bath whose wife is elsewhere confined due to insanity. Their relationship is at first platonic, but eventually develops into Moll becoming something of a \"kept woman\" in Hammersmith, London. They have three children (one lives), but after a severe illness he repents, breaks off the arrangement, and commits to his wife.\nMoll, now 42, resorts to another beau, a banker Callum Murray, who while still married to an adulterous wife (a \"whore\"), proposes to Moll after she entrusts him with her herd of cattle. While waiting for Callum to divorce, Moll pretends to have a great fortune to attract another wealthy husband Samuel. She becomes involved with some Roman Catholics in Lancashire that try to convert her, and she marries one of them, a supposedly rich man Bretton. She soon realises he expected to receive a great herd of cattle which she denies having, leading him to admit that he has cheated her into marriage, having himself lied about having money that he does not possess. He is in fact a ruined gentleman and discharges her from the marriage, telling her nevertheless that she should inherit any money he might ever get (finally, she mentions his name). Although now pregnant again, Moll lets the banker believe she is available, hoping he returns. She gives birth and the midwife gives a tripartite scale of the costs of bearing a child, with one value level per social class.\nMoll's son is born when the banker's wife commits suicide following their divorce, and Moll leaves her newborn in the care of a countrywoman in exchange for the sum of \u00c2\u01415 a year. Moll marries the banker now, but realises \"what an abominable creature I am! and how this innocent gentleman is going to be abused by me!\" They live in happiness for five years before he becomes bankrupt and dies of despair, the fate of their two children left unstated.\nTruly desperate now, Moll begins a career of artful thievery, which, by employing her wits, beauty, charm, and femininity, as well as hard-heartedness and wickedness, brings her the financial security she has always sought. She assumes the name Moll Flanders and is known thereby. She is helped throughout her career as a thief by her Governess, who also acts as receiver. During this time she briefly becomes the mistress of a man she robbed, and is finally caught by two maids whilst trying to steal from a house.\nIn Newgate she is led to her repentance. At the same time, she reunites with her soulmate, her \"Lancashire husband\", who is also jailed for his robberies (before and after they first met, he acknowledges). Moll is found guilty of felony, but not burglary, the second charge; still, the sentence is death in any case. Yet Moll convinces a minister of her repentance, and together with her Lancashire husband is sent to the Colonies to avoid hanging, where they live happily together (she even talks the ship's captain into not being with the convicts sold upon arrival, but instead in the captain's quarters). Once in the colonies, Moll learns her mother has left her a plantation and that her own son (by her brother) is alive, as is her brother/husband.\nMoll carefully introduces herself to her brother and their son, in disguise. With the help of a Quaker, the two found a farm with 50 servants in Maryland. Moll reveals herself now to her son in Virginia and he gives her her mother's inheritance, a farm for which he will now be her steward, providing \u00c2\u0141100 a year income for her. In turn, she makes him her heir and gives him a (stolen) gold watch.\nAt last, her life of conniving and desperation seems to be over. When her brother/husband is dead, Moll tells her (Lancashire) husband the entire story and he is \"perfectly easy on that account... For, said he, it was no fault of yours, nor of his; it was a mistake impossible to be prevented\". Aged 69 (in 1683), the two return to England to live \"in sincere penitence for the wicked lives we have lived\".\nQuestion: Where is she reunited with her soulmate?"
    },
    "references": [
      {
        "output": {
          "text": "In Newgate"
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Newgate."
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1414"
  },
  {
    "input": {
      "text": "First-time crook Sonny Wortzik (Al Pacino), his friend Salvatore \"Sal\" Naturale (John Cazale), and Stevie (Gary Springer) attempt to rob the First Brooklyn Savings Bank. The plan immediately goes awry when Stevie loses his nerve shortly after Sal pulls out his gun, and Sonny is forced to let him flee the scene. In the vault, Sonny discovers that he and Sal have arrived after the daily cash pickup, and only $1,100 in cash remains in the bank.\nTo compensate, Sonny takes a number of traveler's cheques, but his attempt to prevent the cheques from being traced by burning the bank's register in a trash can causes smoke to billow out the side of the building, alerting the business across the street to suspicious activities. Within minutes, the building is surrounded by the police. Unsure of what to do, the two robbers camp out in the bank, holding all the workers hostage.\nPolice Detective Sergeant Eugene Moretti (Charles Durning) calls the bank to tell Sonny that the police have arrived. Sonny warns that he and Sal have hostages and will kill them if anyone tries coming into the bank. Sal tells Sonny that he is ready to kill the hostages if necessary. Detective Moretti acts as hostage negotiator, while FBI Agent Sheldon (James Broderick) monitors his actions.\nHoward Calvin (John Marriott), the security guard, has an asthma attack, so Sonny releases him when Moretti asks for a hostage as a sign of good faith. Moretti convinces Sonny to step outside the bank to see how aggressive the police forces are. Using head teller Sylvia \"The Mouth\" (Penelope Allen) as a shield, Sonny exits the bank and begins a dialogue with Moretti that culminates in his shouting \"Attica! Attica!\" (invoking the recent Attica Prison riot), and the civilian crowd starts cheering for Sonny.\nAfter realizing they cannot make a simple getaway, Sonny demands that a helicopter be landed on the roof to fly him and Sal out of the country. When they are informed that the asphalt roof of the bank will not support a helicopter, Sonny demands that a vehicle drive him and Sal to an airport so that they can board a jet. He also demands pizzas for the hostages (which are delivered to the scene) and that his wife be brought to the bank. When Sonny's wife, Leon Shermer (Chris Sarandon), a pre-operative transsexual, arrives, she reveals to the crowd and officials one of Sonny's reasons for robbing the bank is to pay for Leon's sex reassignment surgery, and that Sonny also has an estranged divorced wife, Angie (Susan Peretz), and children.\nAs night sets in, the lights in the bank all shut off. Sonny goes outside again and discovers that Agent Sheldon has taken command of the scene. He refuses to give Sonny any more favors, but when the bank manager, Mulvaney (Sully Boyar), goes into a diabetic shock, Agent Sheldon lets a doctor (Philip Charles MacKenzie) through. While the doctor is inside the bank, Sheldon convinces Leon to talk to Sonny on the phone.\nThe two have a lengthy conversation that reveals Leon had attempted suicide to \"get away from\" Sonny. She had been hospitalized at the psychiatric ward of Bellevue Hospital until the police brought her to the scene. Leon turns down Sonny's offer to join him and Sal to wherever they take the plane. Sonny tells police listening to the phone call that Leon had nothing to do with the robbery attempt.\nAfter the phone call, the doctor asks Sonny to let Mulvaney leave and Sonny agrees. Mulvaney refuses, instead insisting that he remain with his employees. The FBI calls Sonny out of the bank again. They have brought his mother to the scene. She unsuccessfully tries persuading him to give himself up, and Agent Sheldon signals that a limousine will arrive in 10 minutes to take them to a waiting jet. Once back inside the bank, Sonny writes out his will, leaving money from his life insurance to Leon for her sex change and to Angie.\nWhen the limousine arrives, Sonny checks it for any hidden weapons or booby traps. When he decides the car is satisfactory, he settles on Agent Murphy (Lance Henriksen) to drive Sonny, Sal, and the remaining hostages to Kennedy Airport. Per Sonny's earlier agreement, an additional hostage, Edna (Estelle Omens) is released, and the remaining hostages get into the limousine with Sonny and Sal. Sonny sits in the front next to Murphy while Sal sits behind them. Murphy repeatedly asks Sal to point his gun at the roof so Sal won't accidentally shoot him.\nAs they wait on the airport tarmac for the plane to taxi into position, he again reminds Sal to aim his gun up so he does not fire by accident. Sal does so, and Agent Sheldon forces Sonny's weapon onto the dashboard, creating a distraction which allows Murphy to pull a revolver hidden in his armrest and shoot Sal in the head. Sonny is immediately arrested and the hostages are all escorted to the terminal. The film ends with Sonny watching Sal's body being taken from the car on a stretcher. Subtitles reveal that Sonny was sentenced to 20 years in prison, Angie and her children subsisted on welfare, and Leon had her sex reassignment surgery.\nQuestion: What kind of food does Sonny give the hostages?"
    },
    "references": [
      {
        "output": {
          "text": "Pizza."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Pizza"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1246"
  },
  {
    "input": {
      "text": "The story follows a dinner party given by Bertha Young and her husband, Harry. The writing shows Bertha depicted as a happy soul, though quite naive about the world she lives in and those closest to her. The story opened up a lot of questions, about deceit, about knowing oneself and also about the possibility of homosexuality at the start of the 20th century. The story gives us a bird's eye view of the dinner party, which is attended by a couple, Mr. and Mrs. Norman Knight, who are close friends to Bertha and Harry. Guest, Eddie Warren, is an effeminate character, who adds an interesting mix to the party. The only other guest, Pearl Fulton, is someone who Bertha is mysteriously drawn to for reasons unknown to her at the start. The interesting thing is that Bertha's husband is presented to the reader as Bertha perceives him in her mind. Because Bertha is so naive, the reader first gets the impression that Harry is a crude, disinterested person who has a strong dislike for Pearl by his conversational tone and curtness towards her as the conversation unfolds. As the dinner party progresses, Bertha questions her own interest and fascination towards Pearl. The fact that Eddie, who is most likely homosexual, is present, lends an air to the possibility that Bertha's interest in Pearl is more than a platonic feeling one has towards a friend of the same sex. It is only after Bertha analyzes her feelings towards Pearl that she realizes that the connection she feels with Pearl is their mutual attraction for Harry, and coming out of her \"blissful\" reverie she makes the discovery that Harry and Pearl are having an affair. The title to this story alludes to the sentiment that ignorance is bliss. The story leaves the question about whether it is best to live blissfully ignorant of the truth or live with the knowledge of a harsh reality.\nQuestion: Why is the title 'Bliss' ironic?"
    },
    "references": [
      {
        "output": {
          "text": "Bertha was much happier when she didn't realize what was going on between her husband and Pearl, aka Ignorance is Bliss."
        },
        "tags": [
          "correct"
        ]
      },
      {
        "output": {
          "text": "Because ignorance can be Bliss"
        },
        "tags": [
          "correct"
        ]
      }
    ],
    "split": "test",
    "id": "id1555"
  }
]